Thomas Eggerer
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Biography
Born 1963 in Munich, Germany
Lives and works in Munich, Germany
Thomas Eggerer has contributed significantly to the discourse on identity and community through paintings, drawings, and collages that examine the intricacies of human connection. Set against backdrops that blend elements of architecture and landscape, Eggerer's work combines a precise, almost graphic clarity with fluid, expressive brushwork, creating a tension between order and chaos. This allows the artist to depict complex social dynamics with a unique sensitivity. Eggerer also probes the political potential of interaction within social space, taking particular interest in hierarchical structures, conformism, and resistance.
Eggerer's use of color and form serves to both reveal and obscure, adding a non-logic aspect to his purely figurative paintings. His compositions play with perspective, layering, and the juxtaposition of different scales. Almost diagrammatic elements coexist with more painterly, atmospheric ones. His figures bear an uncanny presence. Their faces are often obscured, enhancing themes of isolation and depersonalization. This approach not only adds to the visual complexity of his paintings but also reflects his interest in the fragmented nature of contemporary social experiences.
Thomas Eggerer's work has been exhibited internationally at Stedelijk Museum, Amsterdam; The Museum of Modern Art, New York; Castello di Rivoli, Turin; Haus der Kulturen der Welt, Berlin; Brandhorst Museum, Munich; Museum Moderner Kunst Stiftung Ludwig Wien; White Columns, New York; San Francisco Museum of Modern Art; Hammer Museum, Los Angeles; Museum of Contemporary Art, San Diego; Vancouver Art Gallery; CCA Wattis Institute, San Francisco, and Frankfurter Kunstverein, among many others.
His work is held in many prominent public collections, including The Museum of Modern Art and Whitney Museum of American Art, New York; Museum of Contemporary Art, Los Angeles; Stedelijk Museum Amsterdam; Museum Brandhorst, Munich; Hammer Museum, Los Angeles; San Francisco Museum of Modern Art; Walker Art Center, Minneapolis; Boros Collection, Berlin; Zentrum für Kunst und Medien, Karlsruhe, and many more. Eggerer was also a member of Group Material, a renowned movement of conceptual artists active between 1979 and 1996. As of 2024, Eggerer has been appointed Professor at the Academy of Fine Arts in Munich.
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WorksOpen a larger version of the following image in a popup:
Installation view, Thomas Eggerer, Galeria, Capitain Petzel, Berlin, 2024
Open a larger version of the following image in a popup:Installation view, Thomas Eggerer, Galeria, Capitain Petzel, Berlin, 2024
Open a larger version of the following image in a popup:Installation view, Thomas Eggerer, Galeria, Capitain Petzel, Berlin, 2024
Thomas Eggerer
Joe’s Place, 2020Oil on canvasSigned and dated verso165.7 x 132.1 cm
65.2 x 52 inchesB-TEGGERER-.24-0034Further images
'Joe’s Place' forms part of a body of work, which present scenes of protest. The figures hold signs and wave flags, though their gestures appear directed toward an undefined viewer....'Joe’s Place' forms part of a body of work, which present scenes of protest. The figures hold signs and wave flags, though their gestures appear directed toward an undefined viewer. The flags billow freely, suggesting movement and energy, while the figures beneath appear static, their limbs awkwardly positioned as if loosely attached. Also here the focus shifts from individual figures to the orchestrated arrangement of movements, while the groupings and subtle variations suggest underlying bonds of community and collective presence. This approach not only adds to the visual complexity of Eggerer's paintings, but also reflects his interest in the fragmented nature of contemporary social experiences.
The figurative elements in Eggerer's paintings are never fully described by the use of color, space, form, or light. However, they do not become purely abstract either. Some elements – logos, objects, or familiar imagery – offer a sense of concrete reality, grounding the viewer in the identifiable. Yet, this familiarity is disrupted by the presence of something that remains obscured. Eggerer avoids overly realistic effects or any strong narrative illusions. It’s akin to encountering doors that cannot be opened; pathways are suggested, but never fully revealed. The result is a series of compositions that suggest a world more intuitive and painterly than rigidly logical or constructed. As Helmut Draxler has stated, "instead of individual imprints and expressionist effects, this artistic approach always thematizes either people in groups, or social spaces, and on a formal level this brings the conventions of painting itself into play".
Exhibitions
Thomas Eggerer, Corridor, Petzel, New York, 2020ExhibitionsExternal ExhibitionsNewsPressPublications