Accompanying his solo exhibition at ALBERTINA MODERN a 208 pages strong homonymous catalogue is published containing texts by Elsy Lahner, Holger Liebs and Cindy Sherman, as well as a conversation between Robert Longo and Isabelle Graw.
Based on photographs and found images, Longo’s drawings tap into cultural and collective memories. In the translation from the intimate drawing process to the massive scale of his final works, his motifs become a powerful presence. Political events and social observations influence his choice of motifs, which he isolates and reduces to heighten their visual impact. Using the stylistic devices of magnification and chiaroscuro, his work can seem equally real and unreal. He emphasises the spatial depth and plasticity of his subjects, using the deep blackness of charcoal on paper to absorb all light. This book presents ninety fullcolour images to explore the work of this groundbreaking contemporary artist.
