A collection of miscellaneous objects and tools lay within your studio, along with an army of wine bottles and wine glasses lined up on the windowsill - you have amassed quite a lot! Could you tell me more about your selection process, do you have a system for collecting?
There’s quite a specific process to how I select and collect objects, in some bodies of work it has been about whether the object has a particular symbolic weight or impact, and what this might mean when the object is multiplied or combined in different iterations. In the past year or so I've been collecting wine glasses, I use them in my practice almost as sketches or maquettes. They help to formulate ideas and to unpack larger questions in my work, such as understanding material limits and the complex, often charged relationships between objects and images.
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