German playwright Franz Xaver Kroetz and his 1972 radio play Inklusive (Included)—a seven-scene script, adapted from a travel brochure, that recounts the activities of a West German couple on an all-expenses-paid trip to Italy, performed by actors with Bavarian accents—were the organizing force behind Christopher Williams’s exhibition “Radio/Rauhfaser/Television.” This presentation furthered the artist’s examination of postwar class issues in Germany and the aesthetics and conventions of der typische Deutsch Kleinburger, or the typical petit-bourgeois German.
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