-
radio3: "Platz für Kunst – Thomas Eggerer: Galeria"
Sofie Czilwik, 12 December 2024 -
Neue Zürcher Zeitung: "In Robert Longos Kunst ist alles gross und bedrohlich. Der amerikanische Künstler weiss um die Destruktivität der Menschen – und will diese sehen"
Sabine B. Vogel, 11 December 2024 -
Frieze: "Must-See: Thomas Eggerer’s Exercise in Stillness"
Oliver Osborne, 4 December 2024 -
Artforum: "THE ARTISTS’ ARTISTS" (Leyla Yenirce)
Jes Fan, Ryan Gander, Petrit Halilaj, Joan Jonas, Mataaho Collective, Archie Moore, Jordan Nassar, Adam Pendleton, Asad Raza, Marianna Simnett, Rose B. Simpson, Cameron Spratley, Carmen Winant, Leyla Yenirce, Yuan Goang-Ming, 1 December 2024 -
Artforum: "Barbara Bloom Zweigstelle Capitain VI – Palazzo Degas"
Cornelia Lauf, 1 December 2024 -
Electra Magazine: "Isabella Ducrot: Textlike Characters"
Leander Gussmann, 1 December 2024 -
Monopol: "Monopol Top 100. Das sind die wichtigsten Persönlichkeiten der Kunstwelt" (Yael Bartana)
28 November 2024 -
Art Frame: "Prima del linguaggio, al centro di tutto. Viaggio nella poetica di Stefanie Heinze"
Francesco Liggieri, 15 November 2024 -
Monopol: "Was mit und nach der Sprache kommt" (Stefanie Heinze)
7 November 2024 -
Monopol: "Leni Riefenstahl und die Kunst Wir knicken immer noch vor ihr ein" (Yael Bartana)
Jens Hinrichsen, 4 November 2024 -
Monopol: "Neuer Kunstverein 47m in Leipzig 'Wir wollen Positionen zeigen, die Reibung erzeugen' " (Yael Bartana)
Sarah Alberti, 24 October 2024 -
Interview Magazine: "Is Being an Artist a Kink?: Jack O’Brien, in Conversation With Tarek Lakhrissi"
Tarek Lakhrissi, 18 October 2024 -
THE FACE: "The radical (and very chic) artists to see at Art Basel Paris" (Jack O’Brien)
Joe Bobowicz, 18 October 2024 -
émergent magazine: "Art Basel Paris, 2024 émergent selects" (Jack O’Brien)
émergent staff, 18 October 2024 -
émergent magazine: "Jack O’Brien at Camden Art Centre"
17 October 2024 -
artdaily: " Capitain Petzel now representing Jack O’Brien"
16 October 2024 -
ocula: "Six Standout Works by Women at Art Basel Paris 2024" (Andrea Bowers)
Simon Fisher, Eva Fuchs, and Rory Mitchell, 16 October 2024 -
artline: "Yael Bartana, Two Minutes to Midnight: Versuchsanordung für eine andere Politik"
Roberta De Righi, 11 October 2024 -
GalleriesNow: "Mikołaj Sobczak: Le Boudoir de L‘Amour"
2 October 2024 -
Art Magazine: "Süchtig nach Kobaltblau" (Amy Sillman)
Claudia Bodin, 1 October 2024 -
Frieze: "Jack O’Brien’s Charged Objects"
Jack O'Brien and Edward Gillman, 25 September 2024 -
émergent magazine: "Interview with Jack O’Brien"
Brooke Wilson -
Camera Austria: "Archiv Peter Piller: Transferfenster. Das Schalke Museum im Kunstmuseum Gelsenkirchen"
Jens Bülskämper, 22 September 2024 -
émergent magazine: "Interview with Alexandra Metcalf"
Robert Frost -
Flash Art: "Jack O’Brien – Glory Whole"
Caroline Elbaor, 6 September 2024 -
Berlin Art Link: "Monica Bonvicini"
Annalisa Giacinti -
Kunstforum International: "Yael Bartana. Utopia Now!"
Michael Stoeber, 1 August 2024 -
Kunstforum International: "Das Potenzial des Textilen in Skulptur und Architektur" (Yael Bartana)
Uta M. Reindl, 1 August 2024 -
The New Yorker: "An Artist Flowering in Her Nineties"
Rebecca Mead, 22 July 2024 -
ArtReview: "Yael Bartana: Overcoming the Future"
Nathaniel Budzinski, 10 July 2024 -
Flash Art: “Alexandra Metcalf: 1st Edition”
Caroline Elbaor, 5 July 2024 -
The Art Newspaper: "Art is on the curriculum at The Campus, a former school in upstate New York transformed by six galleries" (Andrea Bowers)
Benjamin Sutton, 3 July 2024 -
THE BROOKLYN RAIL: "Malcolm Morley: Painting as Model"
Alfred Mac Adam, 2 July 2024 -
Artnet: "Wet Paint in the Wild: Artist Alexandra Metcalf Gallery-Hops Her Way Through London"
Alexandra Metcalf, 1 July 2024 -
Glean Magazine: "Mikołaj Sobczak"
1 July 2024 -
artmagazine: "Sweet Sixteen: (Un)happy birthday"
Raimar Stange, 25 June 2024 -
Artforum: "Christopher Williams at Neubauer Collegium for Culture and Society, Chicago"
Michelle Grabner, 20 June 2024 -
PLASTER: "Spiralling with Alexandra Metcalf"
Izzy Bilkus, 19 June 2024 -
Tagesspiegel: "Interview mit der Künstlerin Yael Bartana"
Nicola Kuhn, 18 June 2024 -
Süddeutsche Zeitung: "Bergbau im Reliquienschrein" (Peter Piller)
Max Florian Kühlem, 12 June 2024 -
TAGESSPIEGEL: "Eine Arche Noah für Venedig: Große Kunst aus Glas bei der 60. Biennale" (Monica Bonvicini)
Rüdiger Schaper, 9 June 2024 -
Spike Art Magazine: "Yael Bartana: “The Idea of Utopia in the Wrong Hands Can Be Very Dangerous”
Hanno Hauenstein, 9 June 2024 -
Gallery Weekend Berlin: "Gallery Portrait: Capitain Petzel"
6 June 2024 -
AnOther Magazine: "This Haunting New Exhibition Explores Girlhood and Hysteria" (Alexandra Metcalf)
Olivia Allen, 5 June 2024 -
PAPER Magazine: "Stefanie Heinze Interviews Stefanie Heinze (Again)"
Justin Moran, 5 June 2024 -
Texte zur Kunst: "Konzerne und Spinnweben"
1 June 2024 -
taz: "Ein bisschen Trost gibt’s doch" (Yael Bartana)
27 May 2024 -
aartnet: "Artist-Activist Andrea Bowers on Her Unlikely New Collaborator"
Eileen Kinsella, 3 May 2024 -
Berliner Zeitung: Diese Ausstellungen sollte man beim 20. Gallery Weekend Berlin nicht verpassen! (Xie Nanxing)
26 April 2024 -
ArtReview: "Delinquent Bodies, Non-Specific Objects"
Jasmine Reimer, 26 April 2024 -
Forbes: "Venice Art Biennale 2024: 8 Must-See Pavilions"
Nel-Olivia Waga, 25 April 2024 -
Monopol: "Rundgang zum Gallery Weekend Berlin Wohin in Mitte?" (Xie Nanxing)
Boris Pofalla, Monopol, 24 April 2024 -
Artsy: "8 MUST-SEE SHOWS AT BERLIN GALLERY WEEKEND 2024" (Xie Nanxing)
Nadia Egan, Artsy, 24 April 2024 -
The New York Times: "At the Venice Biennale, the German Pavilion Undergoes a Transformation"
A.J. Goldmann, 18 April 2024 -
Süddeutsche Zeitung: "Wir Heimatlosen"
Jörg Häntzschel, 17 April 2024 -
Tagesspiegel: "Ein Raumschiff landet in Venedig"
Nicola Kuhn, 17 April 2024 -
ARTnews: "A Creepy, Entrancing German Pavilion Is This Venice Biennale’s Big Hit"
Alex Greenberger, 17 April 2024 -
THE ART NEWSPAPER: "Venice Biennale 2024: the must-see pavilions in the Giardini"
Lee Cheshire, José da Silva, Gareth Harris, Kabir Jhala, Julia Michalska and Alexander Morrison, 16 April 2024 -
Monopol: "Das Raumschiff ist gelandet"
Daniel Völzke, 16 April 2024 -
Der Spiegel: "Apocalypse Wow"
Frank Hornig, 16 April 2024 -
Die Zeit: "Yael Bartana: Raumschiffkapitänin"
Tobias Timm, 12 April 2024 -
Hyde Park Herald: Archival remains and ‘rudderless curiosity’ with Christopher Williams at Neubauer
Joshua Wagner, 8 April 2024 -
Der Bund: "Sarah Morris friert den Rausch der Grossstadt ein"
Martin Burkhalter, 28 March 2024 -
Das Wetter: "Aus der Betonnische"
Fid. Fischer, 28 March 2024 -
Spike Art Magazine: "There Is Something Odd…” at Christine König Galerie"
Ramona Heinlein, 26 March 2024 -
Welt: "Mehr Schwerkraft für die Kunst"
Swantje Karich, 8 March 2024 -
PRESTIGE: "Fragmented Narratives: Artist Sarah Morris Tackles Hong Kong With Her Latest Film, ETC"
Madelaine Clark, 5 March 2024 -
Whitewall: "Andrea Bowers and Ruinart Debut Conversations with Nature for Frieze LA"
Erica Silverman, 27 February 2024 -
Wallpaper: 'Andrea Bowers’ sculptural chandelier for Ruinart reflects a shared commitment to environmental conservation'
Hannah Silver, 22 February 2024 -
Hyperallergic: "Maria Lassnig’s Triumphant 'Little Films' "
Ela Bittencourt, 20 February 2024 -
artnet: "A Biopic of Painter Maria Lassnig Will Have Its World Premiere at the Berlinale"
Kate Brown, 9 February 2024 -
Berlin Art Link: "Challenging Bodily Norms in ‘Non-Specific Objects’"
Nadia Egan, 9 February 2024 -
Frankfurter Allgemeine Zeitung: "Sehnsuchtsvoll nach Südosten geschaut"
Nicole Scheyerer, 31 January 2024 -
Frankfurter Rundschau: "Maria Lassnig n der Neuen Nationalgalerie Berlin – Ihre bösen Bilder"
Ingeborg Ruthe, 30 January 2024 -
Monopol: "Dior und die Künstlerinnen Mehr als nur Couture-Kulisse" (Isabella Ducrot)
Leonie Wessel, 29 January 2024 -
Artnet: "See the 93-Year-Old Textile Artist Isabella Ducrot’s Monumental Scenography for Dior Couture"
Lee Carter, 23 January 2024 -
WELT: "Alle schauen jetzt auf Deutschland" (Yael Bartana)
Marcus Woeller, 23 January 2024 -
Tagesspiegel: "Coup für deutschen Pavillon in Venedig: Yael Bartana und Ersan Mondtag sollen die Biennale rocken"
Nicola Kuhn, 19 January 2024 -
FAZ: "Stahl und Glas in Manhattan" (Sarah Morris)
Georg Imdahl, 9 January 2024 -
Libération: "Rétro 2023 : écologie, politisation, peinture animalière..., le monde de l’art sort du cadre" (Sean Landers)
Claire Moulène, Clémentine Mercier and Judicaël Lavrador, 18 December 2023 -
Berliner Zeitung: "Maria Lassnigs „Knödel, Farbhaufen“ und ein mehr als nur moralisches Angebot"
15 December 2023 -
Frieze: "Leyla Yenirce’s Frenetic Paintings of Female Fighters"
GUILHERME VILHENA MARTINS , 13 December 2023 -
Artnet: "Stefanie Heinze Paints Richly Ambiguous Worlds. Collectors Are Obsessed"
Taylor Dafoe, 11 December 2023 -
Spike Art Magazine: "(Get) READY/ UNREADY (WithMe)"
Matilda Lin Berke, 1 December 2023 -
Libération: "Sean Landers, tartan roi de la jungle"
Clémentine Mercier, 7 November 2023 -
Blue Chip: "Familiar Dysphoria" (Austin Martin White)
4 November 2023 -
Art in America: "In Berlin, Autumn’s Art Shows Usher in an Anxious Changing of the Seasons" (Ragen Moss)
Martin Herbert, 31 October 2023 -
Two Coats of Paint: "Charline von Heyl’s audacious eclecticism"
Barbara A. MacAdam, 24 October 2023 -
Connaissance des arts: "Exposition à Paris : les animaux surréalistes de Sean Landers"
Guy Boyer, 24 October 2023 -
Frieze: "Five Writers Celebrate the Work of Sarah Lucas"
Hettie Judah, Daisy Lafarge, Princess Julia, Rye Dag Holmboe and Jack O’Brien, 20 October 2023 -
Artsy: "The 10 Best Booths at Paris+ par Art Basel 2023"
Arun Kakar, 19 October 2023 -
Artsy: "Jack O’Brien wins the 2023 Camden Art Centre Emerging Artist Prize at Frieze"
Maxwell Rabb, 11 October 2023 -
The Brooklyn Rail: "Charline von Heyl"
Ekin Erkan, 3 October 2023 -
Conceptual Fine Arts: "Alexandra Metcalf and the totalities of current life"
Piero Bisello22 September 2023 -
Spike: "Terrible Stories, Beautifully Written" (Andrea Bowers, Mary Weatherford)
10 August 2023 -
ArtReview: The Bittersweet Taste of the LA Art Scene
Claudia Ross1 August 2023 -
BORDERCROSSINGS: "Sean Landers"
Benjamin Klein, 1 August 2023 -
Artline: "Monika Sosnowska, Models Aus den Ruinen Warschaus"
19 July 2023 -
Ideat: "Gratwanderungen" (Sarah Morris)
Annabelle Hirsch, 1 July 2023 -
Artforum: "Exposé*es" (Zoe Leonard)
23 June 2023 -
Artforum: "Isabella Ducrot"
23 June 2023 -
Zeit: "Der Wunsch nach Frieden, Kunstschau in Altdöbern" (Andrea Bowers)
dpa, 13 June 2023 -
Vernissage TV: "Monika Sosnowska / Zentrum Paul Klee"
Heinrich Schmidt, Vernissage Tv, 4 June 2023 -
MONOPOL: "Das Streben nach Authentizität gehört der Vergangenheit an" (Pieter Schoolwerth)
Claire Koron Elat, 26 May 2023 -
Monopol: "Malcolm mittendrin"
Sebastian Frenzel, 4 May 2023 -
The Brooklyn Rail: "Alexandra Metcalf, Vol.18"
Barry Schwabsky1 May 2023 -
Monopol: "12 Highlights zum Gallery Weekend, die Sie nicht verpassen sollten"
Elke Buhr, Sebastian Frenzel, Jens Hinrichsen und Saskia Trebing, 28 April 2023 -
Monica Bonvicini ‘I do You’ review: bondage, mirrors and feminist takes on masculine architecture
Emily McDermott, Wallpaper Magazine25 April 2023 -
Spike: "5 SHOWS ON OUR RADAR Gallery Weekend Berlin 2023"
24 April 2023 -
Monopol: "Watchlist" (Leyla Yenirce)
Ferial Nadja Karrasch, 22 April 2023 -
Frieze: "Peter Piller Returns to Nature"
Ben Livne Weitzman, 3 April 2023 -
Brooklyn Rail: "Matt Mullican with Dan Cameron"
Dan Cameron, 1 April 2023 -
ARTFORUM: "Matt Mullican's adventures in Slumberland"
Laura Hoffmann, 29 March 2023 -
Frieze: ''Isabella Ducrot's Practice Is Free From Rules''
Ana Vukadin, 24 March 2023 -
MONOPOL: "Freies Spiel der Beziehungen. Peter Piller in der Kunsthalle Düsseldorf"
Silke Hohmann, 22 March 2023 -
ODDA Magazine
Monica Bonvicini in conversation with Richard Pallardy20 March 2023 -
ArtReview: ''Sanya Kantarovsky Deconstructs Our Everyday Obsessions''
Cassie Packard, 8 March 2023 -
Monica Bonvicini “I do You” at Neue Nationalgalerie, Berlin
Ana Teixeira Pinto, MOUSSE, 7 March 2023 -
Faz: "KUNSTMESSE ARCO MADRID: Im Meer der Möglichkeiten"
NICOLE SCHEYERER, 25 February 2023 -
elemmental: Arco Madrid 2023: más de doscientas galerías
DANIELLE CRUZ, 24 February 2023 -
The Art Newspaper: "A brush with... Amy Sillman" (Podcast)
Ben Luke, 22 February 2023 -
Tagesspiegel: "Gut ist nicht schlecht genug. Zwei Ausstellungen feiern das Werk von Martin Kippenberger"
Jens Müller, 18 February 2023 -
Frankfurter Rundschau: "Martin Kippenberger zum 70. Geburtstag: Das Stillose war sein Stil"
Ingeborg Ruthe, 2 February 2023 -
Artforum: "CITY LIMITS: Thomas Eggerer on Edward Hopper"
Thomas Eggerer, 1 February 2023 -
Missy Magazine: "Polycule der Kunst" (Leyla Yenirce)
Ferial Nadja Karrasch, 1 January 2023 -
ARTFORUM: "Predicaments" (Sanya Kantarovsky)
Barry Schwabsky, 1 January 2023 -
CULTURED MAG: "STEFANIE HEINZE IS REORDERING REALITY"
Chiara Di Leone , 31 December 2022 -
Texte Zur Kunst: "Mnemosyne in Neon" (Austin Martin White)
Julia Modes, 30 December 2022 -
KUNSTFORUM: "Stefanie Heinze: Dimensions of the Fool"
Jens Asthoff, 16 December 2022 -
Mikołaj Sobczak: Leibeigene. History in Drag
Jens Bülskämper, Artline15 December 2022 -
MONOPOL: "Zur Malerei von Stefanie Heinze. Die Dimensionen des Narren"
Oliver Koerner von Gustorf, 15 December 2022 -
FRIEZE: "Matt Mullican’s Cosmology of the Self"
Mitch Speed, 14 December 2022 -
artmagazine: "Matt Mullican - Mapping the world. 50 years of work: Die Welt ist nicht genug"
Werner Remm, 7 December 2022 -
TEXTE ZUR KUNST: "STORM WATCH: Thomas Eggerer über Winslow Homer im Metropolitan Museum of Art, New York"
Thomas Eggerer, 1 December 2022 -
Artforum: "Austin Martin White"
Martin Herbert, 1 December 2022 -
Monica Bonvicini’s Feminist House of Mirrors Upends the Masculine Architecture of Berlin’s Neue Nationalgalerie
Kate Brown, Artnet News24 November 2022 -
Mikołaj Sobczak Upends History Painting
Krzysztof Kościuczuk, Frieze18 November 2022 -
Numéro: "Apocalyptic Romance" (Pieter Schoolwerth)
Adam Lehrer, 9 November 2022 -
ArtReview: "The Return of Rococo in Contemporary Culture" (Karla Black)
Danielle Thom, 8 November 2022 -
taz: "Mutige Frauen" (Leyla Yenirce)
Alexander Diehl, 23 October 2022 -
Flash Art: "Austin Martin White 'Last Dance' Capitain Petzel / Berlin"
Philipp Hindahl, 20 October 2022 -
Tagesspiegel: "Spät entdeckt: Maria Lassnigs Kunst"
Christiane Meixner, 18 October 2022 -
Libération: "Zoe Leonard: 'La photo peut-elle défaire des systèmes qu’elle a bâtis ?'"
Clémentine Mercier, 13 October 2022 -
The New York Times Style Magazine: "Zoe Leonard Goes With the Flow"
Rose Courteau, 11 October 2022 -
The New York Times: "Art We Saw This Fall" (Thomas Eggerer)
The New York Times's critics, 5 October 2022 -
PARNASS: "Monika Sosnowska"
Edith Schlocker, 29 September 2022 -
032c: "SMASHED COLLARBONES: Berlin Art Week 2022" (Austin Martin White)
Claire Koron Elat, 27 September 2022 -
Welt am Sonntag: "Das Beste ihrer Art: Austin Martin White Bei Capitain Petzel"
17 September 2022 -
Art in America: "One Work: Andrea Bowers's 'Letter to an Army of Three'"
Jackson Davidow , 25 August 2022 -
Texte zur Kunst: "There is Light Somewhere" (Sanya Kantarovsky)
Louisa Elderton, 12 August 2022 -
Art Plugged: "Maria Lassnig: The Biography"
11 August 2022 -
ARTNews: "Artist Barbara Bloom and Writer Ben Lerner Invent a New Kind of Book"
Shanti Escalante-De Mattei, 28 July 2022 -
Berlin Art Link: "‘the state I am in’ at Capitain Petzel"
Natalie Russett, 20 July 2022 -
XIBT: "Pieter Schoolwerth in Conversation with Editor in Chief Alice Zucca"
Alice Zucca, 18 July 2022 -
Der Standard: "Maria Lassnig in Innsbruck: Ein Kopf als Käse, Würfel und Zyklopenauge"
Ivona Jelcic, 8 July 2022 -
Los Angeles Times: "Andrea Bowers' activist art has long been a conduit for hope — and still is today"
Catherine Womack, 8 July 2022 -
The New York Times: "Should I Go to Art School?" (Robert Longo)
Noor Brara, 6 July 2022 -
Los Angeles Times: "At the Hammer Museum, Andrea Bowers’ art becomes an act of nonviolent civil disobedience"
Christopher Knight, 6 July 2022 -
Tiroler Tageszeitung: "Die Hand als Waffe zur Selbsterspürung: Maria Lassnig im Ferdinandeum"
Edith Schlocker, 24 June 2022 -
Artnet: "5 Can’t-Miss Works by Leading Contemporary Artists Heading to Poly Auction’s 10th Anniversary Sales This July" (Xie Nanxing)
22 June 2022 -
Artforum: "Critic's Picks: Xie Nanxing" (English translation)
Chen Li, 20 June 2022 -
Los Angeles Times: "As the Schindler House turns 100, a new exhibition reexamines its complex legacy" (Stephen Prina)
Carolina A. Miranda, 15 June 2022 -
Los Angeles Times: "‘The time is now’" (Andrea Bowers)
Deborah Vankin, 3 June 2022 -
Art Forum: "JEFFREY KASTNER ON PIETER SCHOOLWERTH"
1 June 2022 -
Spike Magazine: "The Third Bank of the River. Zoe Leonard: 'A View from the Levee'"
Kristian Vistrup Madsen, 1 June 2022 -
Plus Magazine: "Stefanie"
Christopher Chow, 1 June 2022 -
Monopol: "Alte Meister von Neuen geliebt: Sanya Kantarovsky"
Sanya Kantarovsky, 1 June 2022 -
Berliner Zeitung: "Critics Picks: Das sind unsere Highlights zum Berliner Gallery Weekend ‘22"
30 April 2022 -
Monopol: "Unsere Highlights zum Gallery-Weekend"
29 April 2022 -
Frieze: "Zoe Leonard's Conceptual Landscapes"
Jessica Lynne, 28 April 2022 -
Interview Magazine: "Meet Eight Artists Reshaping the 59th Venice Biennale" (Charline von Heyl)
Christopher Bollen, 21 April 2022 -
Art Agenda: "Zoe Leonard’s 'A View from the Levee'"
15 April 2022 -
Art Agenda: "Andrea Bowers’s “Can the world mend in this body?”"
Brian Karl, 8 April 2022 -
Monopol: "Zoe Leonard fotografiert den Río Bravo. Eine Grenze, zwei Perspektiven"
Brigitte Werneburg, 8 April 2022 -
TAZ: "Mit politischer Aufgabe betraut" (Zoe Leonard)
5 April 2022 -
Artforum: "Critic's Picks: Zoe Leonard"
4 April 2022 -
Kunstforum International: "Maria Lassnig. Wach bleiben"
Annelie Pohlen, 1 April 2022 -
Art Magazine: "Zoe Leonard - A View from the Levee: Die Grenze der Repräsentation"
28 March 2022 -
LA Weekly: "A Haunting Film at UC Irvine is Not for the Faint of Heart" (Yael Bartana)
Liz Goldner, 25 March 2022 -
FAZ: "Keine Sandkunst mehr" (Maria Lassnig)
4 March 2022 -
Cultured: "Take a road trip with Lucy Bull for 'Crash with Alexandra Metcalf' "
Lucy Bull24 February 2022 -
New City Art: "Engines of Change. Andrea Bowers Highlights Activists Making History"
Kerry Cardoza, 7 January 2022 -
Artnet: " ‘There’s a Lot of Ingenuity in These Little Forms’: Artist Sarah Morris on Why She Started Painting Spiderwebs During Lockdown"
Katie White, 7 January 2022 -
The New York Times: "Andrea Bowers: Her Activism Animates Her Art"
Siddhartha Mitter, 30 December 2021 -
Frieze: "Charline von Heyl's Alchemical Images"
Camilla McHugh, 8 December 2021 -
Artforum: "Passages Unstraight Lines Louise Fishman (1939–2021)"
Amy Sillman, 8 December 2021 -
The New York Times: "A Monument to the Lives of Black Women and Girls" (ANDREA BOWERS)
Gina Cherelus, 7 December 2021 -
Monopol: "Hinschauen auf eigene Gefahr" (AMY SILLMAN)
Jens Hinrichsen, 6 December 2021 -
Art Magazine: "Possehl-Preis für Internationale Kunst 2022 geht an Matt Mullican"
29 November 2021 -
Monopol: "Auszeichnung aus Lübeck: Matt Mullican bekommt Possehl-Preis für Internationale Kunst 2022"
29 November 2021 -
Welt am Sonntag: "Wie Amy Sillman die Malerei emanzipiert hat"
Gesine Borcherdt, 28 November 2021 -
Taz: "Unbekannten Formen auf der Spur" (Amy Sillman)
Brigitte Werneburg, 20 November 2021 -
Frieze: "Thomas Eggerer’s Paintings of Desire within Protest"
18 November 2021 -
LA Times: "Review: Ex-President Trump claims to be a witch hunt target. These feminist artists beg to differ" (Bartana)
Christopher Knight, 10 November 2021 -
Frieze: "Painters On the Books Every Artist Must Read" (Xie Nanxing)
3 November 2021 -
Frieze: "Laura Owens on What We Get Wrong about Van Gogh"
AMY SHERLOCK AND LAURA OWENS, 27 October 2021 -
Spike Art Magazine: "The Downward Spiral: Zombie Figuration and the Death Ritual" (Stefanie Heinze) (Peter Schoolwerth)
Dean Kissick, 14 October 2021 -
Artforum: "More Real than Real" (ROBERT LONGO)
Tim Griffin, 6 October 2021 -
Spike Art Magazine: "Faithful Narratives" (YAEL BARTANA)
Eva Scharrer, 4 October 2021 -
Domestic Rituals: An Interview with Monica Bonvicini
Lucia Longhi, Berlin Art Link1 October 2021 -
Kölner Stadt-Anzeiger: "Er schläft, sie löst sich langsam auf" (Maria Lassnig)
Michael Kohler, 1 October 2021 -
The Paris Review: "The Chorus" (BARBARA BLOOM & Ben Lerner)
27 September 2021 -
Collection Issue: "Stefanie Heinze"
Donna Salek, 24 September 2021 -
Frieze: "Jack O’Brien Cruises for Ghosts"
Sam Moore, 23 September 2021 -
Frieze: "Painters On the Books Every Artist Must Read" (TOBIAS PILS)
BY LATIFA ECHAKHCH, MICHAEL KREBBER, XIE NANXING, TOBIAS PILS AND SHAHZIA SIKANDER , 22 September 2021 -
Spike Art Magazine: "GALLERY WEEKEND BERLIN 2021" (TOBIAS PILS - JOE BRADLEY)
21 September 2021 -
De zeen: "Laura Owens covers Vincent Van Gogh exhibition in colourful handmade painted wallpaper"
12 September 2021 -
Artnews: "Robert Longo Discusses ‘Moral Imperative’ That Drives His Latest Work"
2 September 2021 -
Stern: "Mahnmal erinnert an Kindertransporte in der NS-Zeit" (YAEL BARTANA)
2 September 2021 -
Frankfurt Live: "Denkmal The Orphan Carousel" (YAEL BARTANA)
31 August 2021 -
Frankfurt Live: "Kinderemigration aus Frankfurt" (YAEL BARTANA)
26 August 2021 -
Frankfurter Allgemeine: "Die Macht des Wildbachs" (YAEL BARTANA)
11 August 2021 -
Nytimes: "Five Things We Recommend This Week" (YAEL BARTANA)
5 August 2021 -
Kunstforum: "Yael Bartana, Redemption Now"
Claudia Wahjudi, 3 August 2021 -
Spike: "The Displacement Effect" at Capitain Petzel, Berlin
Eliza Levinson, 3 August 2021 -
Zacheta: Demining fear. Mikołaj Sobczak in conversation with Aleksander Kmak
1 August 2021 -
New Yorker: "Robert Longo's Cinematic Works"
30 July 2021 -
Süddeutsche Zeitung: "Peter Piller: Im Bremer Museum Weserburg trifft Marlboro-Mann auf Einfamilienhaus"
Till Briegleb, 29 July 2021 -
Frieze: "Top 5 Shows to See in the UK and Ireland this August"
28 July 2021 -
Haaretz: "Yael Bartana: Israeli Artist Who Filmed IDF Soldiers Occupying Berlin Can't Imagine Living in Israel"
Shany Littman, 27 July 2021 -
Tagesspiegel: "Luftig Bedruckt: The Displacement Effect"
Jens Müller, 24 July 2021 -
Financial Times: "Karla Black. Fresh space for fruitful creativity"
Gareth Harris, 21 July 2021 -
Frieze: "Yael Bartana on the Politics of Collective Redemption"
Boaz Levin, 21 July 2021 -
The Arts Desk: "Karla Black, Fruitmarket, Edinburgh review - airy free-for-all"
Mark Sheerin, 16 July 2021 -
The Scotsman: "Edinburgh's Fruitmarket returns with Karla Black's wonderfully mysterious art"
Laura Waddell, 14 July 2021 -
Scottish Construction Now: "Karla Black: Revitalised Fruitmarket opens following £4.3m Reiach and Hall-designed revamp"
7 July 2021 -
Wallpaper: "Karla Black’s material ambush at revamped Fruitmarket Gallery"
Harriet Lloyd-Smith, 7 July 2021 -
The Art Newspaper: "Edinburgh's Fruitmarket gallery reopens with new double-height performance space"
Tim Cornwell, 6 July 2021 -
The Edinburgh Reporter: "Karla Black: The Fruitmarket opens on Wednesday"
Phyllis Stephen, 5 July 2021 -
taz: "Galerie Capitain Petzel in Berlin: Holzspargel auf grauem Rauchtisch"
Oliver Koerner von Gustorf, 4 July 2021 -
The Art Newspaper: "Laura Owens: South of France art venues create Covid-united network—and welcome LUMA Arles into the
Alison Cole, 2 July 2021 -
Süddeutsche Zeitung: "Yael Bartana. Und erlöse uns von der Geschichte"
Sonja Zekri, 1 July 2021 -
Artforum: "Yael Bartana on messianic myth, redemption, and the “Jewish question”"
Daniel Horn, 30 June 2021 -
Gallerytalk.net: "Die Sehnsucht nach Erlösung. Yael Bartana im Jüdischen Museum Berlin"
Alexandra Karg, 23 June 2021 -
Hannoversche Allgemeine: "Pieter Schoolwerth: Gut aufgehängt? Gut abgehangen?
Michael Stoeber, 23 June 2021 -
Art Magazine: "Maria Lassnig: Bleistift und Pinsel sind Urzustandswerkzeuge: Keine Gefangene des Stils"
Andrea Schurian, 22 June 2021 -
NDR: "Kunstverein Hannover zeigt Werke von Pieter Schoolwerth"
22 June 2021 -
Weltkunst: "Amtsalon: Freispruch für die Kunst"
Christiane Meixner, 17 June 2021 -
The Brooklyn Rail: "Barbara Bloom with Tom McGlynn"
Tom Glynn, 14 June 2021 -
Hyperallergic: "Sanya Kantarovsky’s Truth-Bearing Fantasy"
Mengyun Han, 12 June 2021 -
The Edinburgh Reporter: "Karla Black: A fresh new Fruitmarket is ready to open its doors in July"
Phyllis Stephen, 10 June 2021 -
Jüdische Allgemeine: "Yael Bartana: Die Erlöserin spricht Hebräisch"
Johannes Becke, 10 June 2021 -
Deutsche Welle: "Jüdisches Museum: Die Suche nach Erlösung"
Torsten Landsberg, 8 June 2021 -
rbb Info Radio: "Yael Bartana: "Redemption Now" im Jüdischen Museum"
Silke Hennig, 5 June 2021 -
Monopol: "Yael Bartana: Wohin am Wochenende?"
4 June 2021 -
Deutschlandfunk Kultur: "Yael Bartana im Jüdischen Museum Berlin: Die Ästhetik der Propaganda"
Simone Reber, 4 June 2021 -
Tagesspiegel: "Yael Bartana: Zur Eröffnung kommt der Messias"
Nicola Kuhn, 4 June 2021 -
Berliner Zeitung: "Erlösung durch Kunst: Yael Bartanas „Malka Germania“ im Jüdischen Museum Berlin"
Itamar Gov, Hanno Hauenstein, 3 June 2021 -
Jüdische Allgemeine: "Yael Bartana: »Malka Germania« als Messiasgestalt"
2 June 2021 -
Kunstforum International: "Pieter Schoolwerth"
Michael Stoeber, 1 June 2021 -
Berlin.de: "Befreiung Berlins durch Israel: Kunst im Jüdischen Museum"
1 June 2021 -
Monopol: "Yael Bartana: Mit dem Strom"
Monopol, 1 June 2021 -
Kunstforum International: "Yael Bartana im Jüdischen Museum Berlin"
Kunstforum, 28 May 2021 -
Kulturnews: "Yael Bartana. Redemption Now"
Janka Burtzlaff, 21 May 2021 -
Hyperallergic: "Laura Owens Teams Up with Cleveland Teens for a Playful Show on Time Travel"
Andrea Gyorody, 21 May 2021 -
Frieze: "Laura Owens Paints What She Wants and Takes Pleasure in Doing It"
Grant Klarich Johnson, 18 May 2021 -
Wall Street International "Stefanie Heinze. Stories of the imaginary"
13 May 2021 -
Badische Tageszeitung: "Yael Bartana: Suche nach dem neuen Kunstansatz"
Christiane Lenhardt, 11 May 2021 -
Migazin: "Yael Bartana: Das leere Museum schmerzt mich sehr"
Markus Geiler, 11 May 2021 -
Artnet: "Tobias Pils: Editors’ Picks. 11 Events for Your Calendar This Week"
Sarah Cascone, 3 May 2021 -
Missy Magazine: "Yael Bartana: Ich, auf einem Esel"
Ina Holev, 1 May 2021 -
Border Crossings: "Belle Lettrists: Nicola Tyson, Maria Lassnig, Amy Sillman"
Meeka Walsh, 1 May 2021 -
Berliner Zeitung: "Shootingstar ist der Negativtest: Matt Mullican"
Ingeborg Ruthe, 1 May 2021 -
Monopol: "Portrait. Yael Bartana: Erlöse uns!"
Elke Buhr, 1 May 2021 -
Monopol: "12 Ausstellungen, die Sie beim Gallery Weekend sehen sollten: Matt Mullican"
monopol, 30 April 2021 -
NDR: "Kunstverein: Künstler führen online durch Schoolwerth-Ausstellung"
Agnes Bührig, 20 April 2021 -
Art-in: "'No Body Get a Head, 1991–2020' von Pieter Schoolwerth"
15 April 2021 -
Hannoversche Allgemeine: "Pieter Schoolwerth: Reine Kopfsache"
Michael Stoeber, 10 April 2021 -
Tagesspiegel: "Band zu Maria Lassnig: Selbstporträt als niesende Freiheitsstatue"
Esther Buss, 29 March 2021 -
Texte zur Kunst: "MAKING ART IN THE PANDEMIC BY AMY SILLMAN"
24 March 2021 -
Monica Bonvicini in Bielefeld, Ein subtiler Tritt unter die Gürtellinie
Jens Bülskämper, Monopol Magazin13 March 2021 -
Observer: Kathia St. Hilaire and Austin Martin White Flourish at Derek Eller Gallery
Teresa Xie , 11 March 2021 -
Interview Magazine: "Rachel Kushner and Laura Owens on the Power of Reinvention Through Writing"
Laura Owens, 9 March 2021 -
The Moscow Times: "Monika Sosnowska Shares 'Exercises in Construction, Bending'"
3 March 2021 -
Kunstforum International: "Geheime Agenten – Die Überwacher überwachen"
Sabine Maria Schmidt, 1 March 2021 -
Kunstforum International: "Robert Longo"
Heinz-Norbert Jocks, 1 March 2021 -
Frieze: "Amy Sillman"
Tausif Noor, 24 February 2021 -
Hyperallergic: "The Commanding, Flamboyant Joyce Pensato"
Gregory Volk, 13 February 2021 -
New City Art: "Curiously Confounding: A Review of Charline von Heyl at Corbett vs. Dempsey"
Alan Pocaro, 10 February 2021 -
4Columns: "Joyce Pensato, The peculiar pop power of the late artist’s work."
Johanna Fateman, 5 February 2021 -
The Brooklyn Rail: "Artist's Choice: Amy Sillman—The Shape of Shape"
Cynthia Cruz, 1 February 2021 -
Art Asia Pacific: "Evidence of Painting: Interview with Xie Nanxing"
Lauren Long, 8 January 2021 -
Kunstforum International: "KARLA BLACK"
Larissa Kikol, 5 January 2021 -
Calvert Journal: "Urbanites and existential angst: the not quite figurative world of painter Sanya Kantarovsky"
Paula Erizanu, 22 December 2020 -
Frieze: "Barbara Bloom"
Evan Moffitt, Frieze, 12 December 2020 -
Frieze: "Pieter Schoolwerth. Petzel Gallery, New York, USA"
David Geers, frieze, 12 December 2020 -
Heichi Magazine: "Reappearances of Dada: On Xie Nanxing’s “A Roll of the Dice”
Clement Huang, 10 December 2020 -
Financial Times: "Artist Robert Longo: ‘Taking down statues was one of America’s greatest moments’"
Jonathan Griffin, 5 December 2020 -
Texte Zur Kunst: "The Circularity of History. Ross Bleckner at Capitain Petzel, Berlin."
Daniel Sturgis, 2 December 2020 -
ArtReview: "Ross Bleckner. Quid Pro Quo"
Martin Herbert, 11 November 2020 -
Arte: "Allein im Museum: Maria Lassnig - Woman Power"
4 November 2020 -
Frog: "Sean Landers: Interview"
Éric Troncy, 1 November 2020 -
Arts Magazine: "Pieter Schoolwerth Review"
27 October 2020 -
Paper Magazine: "Stefanie Heinze Interview About "Frail Juice" at Petzel"
Justin Moran, 23 October 2020 -
Hyperallergic: "The Visceral Intimacy of Amy Sillman’s Drawings"
Ksenia M. Soboleva, 22 October 2020 -
Artforum: "Amy Sillman discusses “The Shape of Shape” at MoMA"
Zack Hatfield, 21 October 2020 -
The Guardian: "From Warhol to Steve McQueen: a history of video art in 30 works"
Barbara London, Skye Sherwin, Oliver Basciano, 17 October 2020 -
The New York Times: "Amy Sillman’s Breakthrough Moment Is Here"
Jason Farago, 8 October 2020 -
The New York Times: "A Gallery Resurgence in Chelsea"
Roberta Smith, 8 October 2020 -
Elephant: "Ross Bleckner Captures the Raw Vulnerability of Human Life in Paint"
Emily Steer, 5 October 2020 -
Frieze: "Pieter Schoolwerth’s Sims 4 Paintings Burst Our Filter Bubbles"
David Geers, 2 October 2020 -
Collection Issue: "Charline von Heyl"
Joanna L. Cresswell, 28 September 2020 -
Frieze: "Barbara Bloom"
Chloe Stead, 24 September 2020 -
Elephant: "Pieter Schoolwerth Reveals Violent Cracks in the Digital Self"
Emily Steer, 21 September 2020 -
The New York Times: "In Berlin, the Art World Spreads Out to Stay Safe"
Scott Reyburn, 15 September 2020 -
Reflektor Magazine: "Ross Bleckner"
Frederic Tuten, 13 September 2020 -
WELT am Sonntag: "Ross Bleckner bei Capitain Petzel"
Gesine Borcherdt, 13 September 2020 -
Bordercrossings: "Amy Sillman, The Painter's Language and the Language of Painting"
Robert Enright, 1 September 2020 -
Juxtapoz: "Shifted Sims: A Conversation With Pieter Schoolwerth"
25 August 2020 -
Elephant: "Sarah Morris Evokes the Perils and Perks of a Globalised World"
Emily Steer, 6 July 2020 -
The Brooklyn Rail: "Matt Mullican: Universal Perspective"
William Whitney, 6 May 2020 -
Architectural Digest: "Isabella Ducrot, Gewebe aus Geschichte"
Oliver Körner von Gustorf, 1 May 2020 -
WDR: "Wieder vom Wetter reden! Andrea Bowers in Mönchengladbach"
6 April 2020 -
Kunstforum: "Andrea Bowers: grief and hope"
Renate Puvogel, 1 March 2020 -
Artnews: "Andrea Bowers Portrays the Future of Activism"
David Everitt Howe, 1 March 2020 -
Mousse Magazine: "Tobias Pils “Adam & Eve“ at Eva Presenhuber, Maag Areal, Zurich"
1 March 2020 -
Artnews: "Taxi TV Turns Strange, Thanks to a Surprise New Video by Artist Christopher Williams"
Alex Greenberger, 28 February 2020 -
Süddeutsche Zeitung: "Konzeptkünstler Christopher Williams in Berlin: Mit aufgeschnittener Kamera"
Kito Nedo, 19 February 2020 -
Carousel in The Art Newspaper: "Yael Bartana: Frankfurt to recall the Kindertransport that saved thousands of children f
Catherine Hickley, 14 February 2020 -
Deutschlandfunk Kultur: "Christopher Williams im C/O Berlin: Vom Playboy zu Brecht"
Gerd Brendel, 6 December 2019 -
Artforum: "Christopher Williams at C/O Berlin"
Andrew Witt, 1 December 2019 -
Art: "Kontakt mit dem Bild"
Kito Nedo, 1 December 2019 -
BLAU: "Stefanie Heinze"
Oliver Körner von Gustorf, 19 October 2019 -
Welt: "Yael Bartana: Abrüstung mit magischem Realismus"
Emeli Glaser, 19 October 2019 -
Artforum: "Xie Nanxing: Thomas Dane Gallery"
Fiona He, 16 October 2019 -
Spike: "Yael Bartana 'The Graveyard'"
Chloe Stead, 1 October 2019 -
Forbes: "The Feminist Artist Who Created The Selfie Nearly 100 Years Ago"
Grace Banks, 5 July 2019 -
Apollo Magazine: "Selfie stick – the many faces of Maria Lassnig"
Gabrielle Schwarz, 5 July 2019 -
The Brooklyn Rail: "Sanya Kantarovsky with Jason Rosenfeld"
Jason Rosenfeld, 5 June 2019 -
Texte zur Kunst: "FAIL BETTER: Colin Lang on Stefanie Heinze at Capitain Petzel, Berlin"
Colin Lang, 1 June 2019 -
Vogue: "The Darkly Comic Art of Sanya Kantarovsky"
Dodie Kazanjian, 15 May 2019 -
Sleek: "Introducing the Berlin artist transforming symbolic objects into dark social critique" (Stefanie Heinze)
26 April 2019 -
CULTURED MAG: "Charline von Heyl’s Paintings Treat Structure like a Game"
Gaby Collins-Fernandez, 9 April 2019 -
Mousse Magazine: "As Is: Sean Landers Sean Landers interviewed by Chiara Moioli"
Chiara Moioli, 24 February 2019 -
Artforum: "Hannah Stamler on Yael Bartana"
Hannah Stamler, 1 January 2019 -
The National News: "An entirely different view of Abu Dhabi: Sarah Morris's film is the first commissioned work for the Guggenheim's permanent collection"
Nick Leech, 20 November 2018 -
Die Zeit: "Charline von Heyl: Die Frau als Denkmaschine"
Lisa Zeitz, 8 July 2018 -
The New York Times: "Tobias Pils: What to See in New York Art Galleries This Week"
Roberta Smith, 8 June 2018 -
The New York Times: "Yael Bartana: Imagining a World Ruled by Women"
A.J. Goldmann, 24 May 2018 -
Interview Magazine: "Virtual reality and hypnosis are Matt Mullican’s choice art tools"
Cedar Pasori, 12 April 2018 -
Berliner Morgenpost: "Yael Bartana: Wenn Frauen die Macht haben"
Volker Blech, 11 April 2018 -
My Art Guides: "“The Feeling of Things”: an Interview with Matt Mullican"
Lara Morrell, 11 April 2018 -
Sleek: "Karla Black: Five Female Painters Breathing New Life into the Medium"
Kathryn O'Regan, 8 April 2018 -
Apollo Magazine: "Matt Mullican: The Feeling of Things"
6 April 2018 -
Monopol: "'Ich spüre die Dringlichkeit einer nicht von Männern dominierten Welt': Yael Bartana an der Volksbühne Berl
Anna-Lena Werner, 4 April 2018 -
China.org.cn: "Artist's exhibition offers new take on Western masterpieces" (Xie Nanxing)
20 March 2018 -
FAZ: "Karla Black: Land–Art unter Wasser"
Georg Imdahl, 17 March 2018 -
Texte zur Kunst: "ROSE-COLORED GLASSES NICOLÁS GUAGNINI ON STEPHEN PRINA AT CAPITAIN PETZEL, BERLIN"
14 March 2018 -
Art in America: "Stefanie Heinze"
Alina Cohen, 1 March 2018 -
Artnews: "Stefanie Heinze"
Alina Cohen, 1 March 2018 -
Garage: "A Former Slacker Artist Gets Real"
Paul Laster, 26 February 2018 -
ArtNews: "Artisanal Abstraction: The Elusive, Effusive Art of Amy Sillman"
Phyllis Tuchman, 16 February 2018 -
Interview Magazine: "The playfully troubled art of Amy Sillman"
Matt Mullan, 25 January 2018 -
Deutsche Welle: "Yael Bartana: Neuer Videoloop für Homosexuellen-Denkmal in Berlin"
12 January 2018 -
Artforum: "Matt Mullican: The feeling of things"
Conny Butler, 1 January 2018 -
TEXTE ZUR KUNST: "After Hours" (Thomas Eggerer)
Andrew Durbin, 8 December 2017 -
Artforum: "Thomas Eggerer"
Alex Kitnick, 1 November 2017 -
Artforum: "Stephen Prina: Museo MADRE"
Paola Nicolin, 17 July 2017 -
Time Out: "Review: Pieter Schoolwerth, 'Model as Painting'"
Howard Halle, 13 June 2017 -
The Brooklyn Rail: "Tobias Pils"
Ilka Scobie, 1 June 2017 -
Kunstforum International: "Peter Piller – Ich sehe was, was du schon gesehen hast"
Oliver Zybok, 1 May 2017 -
Monica Bonvicini: her hand around the room
Laura Smith, ArtReview15 March 2017 -
Frieze: "Pieter Schoolwerth, Capitain Petzel, Berlin"
John Quin, 1 March 2017 -
Artforum: "1000 WORDS: PIETER SCHOOLWERTH"
Molly Warnock, 1 January 2017 -
Features: Monica Bonvicini
Massimiliano Gioni, Flash Art20 December 2016 -
Art Forum: "Scrawl Space"
Dan Nadel, 1 October 2016 -
Artforum: "Jens Asthoff on Tobias Pils"
Jens Asthoff, 1 October 2016 -
Yishu: Journal of Contemporary Chinese Art: "Spots, Dust, Renderings, Picabia, Case Notes, Flavour, Light, Sound, and More: Xie Nanxing’s Creations“
Carol Yinghua Lu, 4 July 2016 -
Artforum: "Tobias Pils"
Franz Thalmair, 1 July 2016 -
Studio International: "Stephen Prina: 'The exhibition was really about considering whether I could embark on an autobiographical profect that I would deem acceptable"
Allie Biswas, 17 May 2016 -
The Guardian: "Maria Lassnig: under the skin"
Kathryn Hughes, 14 May 2016 -
Vice: "Stefanie Heinze: Hallucinatory Paintings Depict the Bodily Impossible"
Kevin Holmes, 4 April 2016 -
Artforum: "Booze Arts: Thomas Eggerer on Monika Baer"
Thomas Eggerer, 1 April 2016 -
Frieze: "Thomas Eggerer"
Scott Roben, 18 February 2016 -
artobserved: "Thomas Eggerer: Waterworld at Petzel"
Osman Can Yerebakan, 1 February 2016 -
Art News: "Thomas Eggerer"
Mark Prince, 2 October 2015 -
Artspace: "Sarah Morris on Uncovering Conspiracies in the Art-Luxury Industrial Complex"
Karen Rosenberg, 17 June 2015 -
356 Mission: "Pieter Schoolwerth interviewed about 'Your Vacuum Sucks'"
Ethan Swan, 1 June 2015 -
Art in America: "Pieter Schoolwerth"
P.C. Smith, 28 May 2015 -
Kaleidoscope: "Superimages"
Ross Simonini, 1 January 2015 -
Art in America: "Sean Landers"
19 November 2014 -
Frieze: "Something from Nothing" (PETER PILLER)
Christy Lange, 14 November 2014 -
Tagesspiegel: "Maria Lassnig, Grande Dame der bildenden Kunst"
Nicola Kuhn, 8 May 2014 -
The New Yorker: "Her"
Andrea K. Scott, 2 March 2014 -
Mousse: "A Fragile Artificiality" (Thomas Eggerer)
John Kelsey, 12 January 2014 -
Artforum: "Time Zones: The recent work of Thomas Eggerer"
David Joselit, 1 January 2014 -
Bomb Magazine: "Amy Sillman by R. H. Quaytman"
R. H. Quaytman, 1 October 2013 -
Art in America: "Maria Lassnig’s Body Awareness"
Travis Jeppesen, 14 June 2013 -
ArtNews: "In the Studio: Stephen Prina"
Steel Stillman, 26 April 2013 -
Hayperallergic: "After the Fall of Troy: The Paintings of Pieter Schoolwerth"
12 December 2012 -
BOMB: "New Bodies: Pieter Schoolwerth"
Andrew Capetta, 28 May 2012 -
The New York Times: "PIETER SCHOOLWERTH: ‘Portraits of Paintings"
Roberta Smith, 16 December 2010 -
Artforum: "What is that person thinking?: An Interview with Matt Mullican"
Tim Griffin, 1 April 2009 -
Artforum: "Empty Nest. On SARAH MORRIS'S BEIJING"
Tom Vanderbilt, 1 December 2008
![Spice No.7, a painting shown at Xie Nanxing's ongoing exhibition in Beijing. [Photo provided to China Daily]](https://artlogic-res.cloudinary.com/w_2400,h_2400,c_limit,f_auto,fl_lossy,q_auto/ws-capitainpetzel2/usr/images/press/main_image/items/5e/5e48a14ff47b4d29990e5d83a760f9da/screenshot-2024-03-19-at-17.39.07.png)
