Stephen Prina: As He Remembered It
Capitain Petzel is pleased to announce the second solo exhibition by visual artist and musician Stephen Prina, titled »As He Remembered It« which will be on view on three levels of the gallery’s exhibition space from November 24, 2017 to February 3, 2018. The exhibition is an abridged version of the installation of the same title originally exhibited at Secession 2011 and Los Angeles County Museum of Art, 2013. The most recent example of the ongoing project entitled »Exquisite Corpse: The Complete Paintings of Manet« will be included in the exhibition, amongst others.
»As He Remembered It« is linked to an anecdote that Stephen Prina recalls as follows:
»Sometime in the early-to-mid 1980s, Chris Williams and I found ourselves on La Brea Avenue
in Los Angeles late one night. From across the street, we could see a spotlighted, pink object showcased in a storefront window, but, from our vantage point, we could not identify it. We crossed the street to gain a closer look. Conveniently, a label describing the object as a piece of furniture by R. M. Schindler was on display. Clearly, this desk that had once been built-in had been pried out of its surroundings with the attempt to render it freestanding. However, it appeared to us as an amputated limb.«
Stephen Prina (*1954, Galesburg, Illinois) lives and works in Los Angeles, California and Cambridge, Massachusetts, where he is Professor, Department of the Visual and Environmental Studies, Harvard University. Solo exhibitions include Museo Madre, Naples, Italy (2017); Museum Kurhaus Kleve, Kleve (2016); Kunst Halle Sankt Gallen, Sankt Gallen (2015); Los Angeles County Museum of Art, Los Angeles (2013); Vienna Secession, Vienna; Kölnischer Kunstverein, Cologne (2011); Contemporary Art Museum St. Louis (2010); Centro Andaluz de Arte Contemporaneo, Sevilla; Staatliche Kunsthalle Baden-Baden (2008); Frankfurter Kunstverein, Frankurt am Main (2000); Museum Boijmans Van Beuningen, Rotterdam (1992); The Renaissance Society and the Univeristy of Chicago (1989). Group exhibitions (selection): Mumok, Vienna; Museum Brandhorst, Munich (2015/2016); The Hammer Museum, Los Angeles (2014); Contemporary Arts Museum Houston (2013); Palais de Tokyo, Paris (2012); Museum of Contemporary Art Chicago; Walker Art Center, Minneapolis (2012); Whitney Biennial, New York (2008); Documenta IX, Kassel; Museum of Modern Art, New York (1992); Carnegie International, Pittsburgh (1991); Venice Biennale (1990).
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Stephen PrinaAs He Remembered It, Studio Category Hiler, Studio, No. 1Hiler, Studio, No. 2Hiler, Studio, No. 3Hiler, Studio, No. 4, 2011Acrylic enamel on PU coating on poplar plywood and metal64 x 312 x 46 cm Hiler Studio No 1
78 x 76 x 50 cm Hiler Studio No 2
214 x 140 x 48 cm Hiler Studio No 3
332 x 197 x 76 cm Hiler Studio No 4 -
Stephen PrinaAs He Remembered It, Bedrooom Category Harris Bedroom, No. 1Harris Bedroom, No. 2Harris Bedroom, No. 3Hiler Bedroom, No. 4Hiler Bedroom, No. 5, 2011Acrylic enamel on PU coating on poplar plywood, linen and metal69 x 183 x 61 cm Harris Bedroom No 1
10 x 107 x 31 cm Harris Bedroom No 2
199 x 306 x 230 cm Harris Bedroom No 3
204 x 172 x 61 cm Hiler Bedroom No 4
203 x 107 x 31 cm Hiler Bedroom No 5 -
Stephen PrinaAs He Remembered It, Dining Room Category (Breakfast Room) Hiler, Dining Room (Breakfast Room), No. 1, 2011Acrylic enamel on PU coating on poplar plywood and metal47 x 274 x 228 cm
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Stephen PrinaAs He Remembered It, Stair Landing Category Hiler, Stair Landing, No. 1, 2011Acrylic enamel on PU coating on poplar plywood33 x 122 x 60 cm
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Stephen PrinaAs He Remembered It, Bathroom Category Harris, Bathroom No. 1Harris, Bathroom No. 2Hiler, Bathroom No. 3Hiler, Bathroom No. 4 Hiler, Bathroom No. 5 Hiler, Bathroom No. 6 Hiler, Bathroom No. 7, 2011Acrylic enamel on PU coating on poplar plywood and metal102 x 187 x 57 cm Harris Bathroom No 1
122 x 92 x 31 cm Harris Bathroom No 2
244 x 138 x 48 cm Hiler Bathroom No 3
245 x 123 x 61 cm Hiler Bathroom No 4
199 x 153 x 153 cm Hiler Bathroom No 5
64 x 203 x 76 cm Hiler Bathroom No 6
203 x 122 x 41 cm Hiler Bathroom No 7 -
Stephen PrinaExquisite Corpse: The Complete Paintings of Manet 255 of 556, Femme au Jardin (Woman in a Garden), 1876?, Formerly in Berlin, Liebermann Collection, October 10, 2017Two parts:
Left: ink wash on rag, barrier paper
126 x 175 cm / 49.6 x 70 inches
Right: offset lithography on paper
66 x 83 cm / 26 x 32.7 inches -
Stephen PrinaUntitled, Exquisite Corpse: The Complete Paintings of Manet 255 of 556, Femme au Jardin (Woman in a Garden), 1876?, Formerly in Berlin, Liebermann Collection, 2017Black cord and brass escutcheon pins
Left: 126 x 175 cm / 49.6 x 70 inches
Right: 66 x 83 cm / 26 x 32.7 inches -
Stephen PrinaPUSH COMES TO LOVE, Untitled, 1999-2017Black cord and brass escutcheon pins
66 x 83 cm / 26 x 32.7 inches
The entire contents of a can of enamel spray paint -
Stephen PrinaAs He Remembered It, Dressing Room Category Hiler, Dressing Room (Powder Room), No. 1, 2011Acrylic enamel on PU coating on poplar plywood and metal214 x 231 x 185 cm
84.3 x 91 x 72.8 inches -
Stephen PrinaAs He Remembered It, Kitchen Category Harris, Kitchen, No. 1Harris, Kitchen, No. 2Hiler, Kitchen, No. 3Hiler, Kitchen, No. 4, 2011Acrylic enamel on PU coating on poplar plywood, linen and metal244 x 323 x 84 cm Harris Kitchen No 1
203 x 322 x 56 cm Harris Kitchen No 2
122 x 292 x 31 cm Hiler Kitchen No 3
259 x 262 x 166 cm Hiler Kitchen No 4 -
Stephen PrinaTHE WAY HE ALWAYS WANTED IT VII, 2011Griffin 100% natural silk bead cord with needle attached, 35mm film frames,
Czech pressed-glass beads42,5 m length, installation dimensions variable -
Stephen PrinaAs He Remembered It, Balcony Category Hiler, Balcony No. 1, 2011Acrylic enamel on PU coating on poplar plywood183 x 224 x 31 cm
72 x 88.2 x 12.2 inches