Barbara Bloom is known for blurring the boundaries between art and functional objects, often creating works in the form of furniture installations that have been stripped of their original utility. By crafting works in the form of carpets, objects that are inherently tactile, she invites viewer participation on a physical and sensory level, while the work is still inaccessible, exhibited on a pedestal. This notable work, the Steinway Piano Carpet, explores the absence and potential presence of a piano at various scales. The artist imagines the piano not as a physical object but through its absence and potential forms. This exploration underscores themes of memory, loss, and the unseen impact of cultural icons. The piano's absence evokes a sense of longing and contemplation, prompting viewers to consider what is missing and what could be.

The piano holds a special place in Barbara Bloom's work, serving as a multifaceted symbol and artistic tool. Its significance can be understood through several dimensions; A Steinway, for example, is often considered an emblem of musical excellence and cultural heritage.