Christopher Williams
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Biography
Born 1956 in Los Angeles, CA
Lives and works in Los Angeles, CA
Operating through the medium of photography, Christopher Williams’ work is an investigation of the current condition of pictorial representation and production. Functioning as both conceptual art and institutional critique, Williams crafts historically and politically referential photographs that analyze aesthetic conventions and the contemporary context of image making.
A range of references are at play in Williams’ photographic style; 1960s advertisements come to mind, as well as histories of film and fine art. His carefully crafted, technically precise images take ordinary objects, scenes and people as their subjects, rendering them with great detail and precision, making them appear almost eerily perfect and uncanny. Williams mimics the ultra-sleekness of the synthetic commercial world — set slightly off balance, reminding us of the ingrained conventions of modern image making.
Williams’ medium is not merely the taking of photographs, but also the construction of the setting with extreme care and precision, and the staging of the finished works. Extensive descriptive titles, unusual hanging heights, and interventions in the exhibition architecture are usual for Williams. In demonstrating how dependent art objects are on their methods of production and contexts of display, the ‘constructed-ness’ of images is revealed. Williams draws attention to the staged nature of his photographs, foregrounding the technical production process and the process of photography itself.
Williams has exhibited extensively worldwide, with solo exhibitions at C/O Berlin; Kestner Gesellschaft, Hannover; La Triennale di Milano; Whitechapel Gallery, London; Museum of Modern Art, New York; Musée d’art moderne et contemporain, Geneva; Museum Dhondt-Dhaenens, Deurle; Kunsthalle Baden-Baden; Kunsthalle Zürich; Secession, Vienna among many others. His work can be found in the collections of the Museum of Modern Art, The Metropolitan Museum of Art, Whitney Museum of American Art and Solomon R. Guggenheim Museum all in New York; Hammer Museum, Los Angeles; Ludwig Museum, Cologne; Hamburger Bahnhof, Berlin; Hirshhorn Museum and Sculpture Garden, Washington, DC; The Art Institute of Chicago, and more. Since 2008, Williams has been the professor of Photography at the Kunstakademie Düsseldorf.
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WorksOpen a larger version of the following image in a popup:
Installation image
Christopher Williams
Supplement 04 Ringier Jahresbericht 2003, 2004Book, silkscreened poster, offset card, DVD
Gmund Colors 19, light brown matt, 100/qm wood-free/chlorine-free
Producer: Ringier AG, Unternehmenskommunikation, Zürich
Film of 332 MIN 17 SECB-CWILLIAMS-.20-0002'Supplement 04 Ringier Jahresbericht 2003' elaborates Williams’ interest in the conditions of production. This includes an annual report he created in 2003 for the Swiss publishing house Ringier AG, along...'Supplement 04 Ringier Jahresbericht 2003' elaborates Williams’ interest in the conditions of production. This includes an annual report he created in 2003 for the Swiss publishing house Ringier AG, along with a video and production documents for Supplement 2003, a cooking show made by using the existing apparatus of Ringier’s television studio, whose primary product was a popular Swiss cooking show.
Williams used the program’s shot list as a model for his version, with one shift: the duration of twelve of the shots was extended to correspond to the actual preparation time of the food, thereby stretching the show’s running time from 50 to 332 minutes. Alongside the annual report and related documents, Williams presents spreads from the publication for his 2007 exhibition at Kunsthalle Zürich, which uses the advertising space historically used in exhibition catalogues, to highlight the economies of collaboration and sponsorship usually kept in the background of an exhibition’s presentation and reception.ExhibitionsExternal ExhibitionsNewsPressPublications