Monika Sosnowska
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Biography
Born 1972 in Ryki, Poland
Lives and works in Warsaw, Poland
Monika Sosnowska is a sculptor best known for her large, site-specific architectural installations created by appropriating and manipulating construction materials such as steel beams, concrete, rods and pipes. She creates impactful and elegant sculptures with playful elements that challenge the perception of the viewer. Sosnowska can be regarded not only as a sculptor but also as a designer of space, as her architectonic sculptures are designed and realised for specific sites and occasions. This specificity and impermanence are integral to her work.
Sosnowska is also interested in the interplay of architectural and mental space and the experience of spatial sensations, exploring this in a formally minimalist and conceptual sculptural language. Through this, she makes reference to and comments on modernism and its utopian ideals, specifically its architectural implementation and effect in her native Poland and surrounding Eastern European countries. She distorts and reassembles architectural materials, divorcing them from their former functionality to contradict the rational paradigm of modernism, and to create as a result beautiful visual puzzles and optical illusions.
Sosnowska has shown extensively over the last two decades, with major solo exhibitions at EMMA - Espoo Museum of Modern Art, Espoo, Finnland (2024), Zentrum Paul Klee, Berlin (2023); Kunstraum Dornbirn (2022); Zachęta – National Gallery of Art, Warsaw (2020); Saarlandmuseum Moderne Galerie, Saarbrücken (2020); Garage Museum of Contemporary Art, Moscow (2020); The Modern Institute, Glasgow (2019); Muzeum Susch, Engadin, Switzerland (2017); Ginza Maison Hermès, Tokyo (2015); Museum of Contemporary Art, Porto (2015); Australian Center for Contemporary Art (ACCA), Melbourne (2013); Museo Tamayo, Mexico City (2011); Herzliya Museum of Contemporary Art, Tel Aviv (2010); Museum of Modern Art, New York (2006). Her group exhibitions include Hayward Gallery, London (2018); Tate Modern, London (2017); Sprengel Museum Hannover (2015); Contemporary Arts Center, Cincinnati, (2014); The Museum of Contemporary Art Chicago (2012); Centre Pompidou, Paris (2010) and many more. In 2007, Sosnowska represented Poland at the 52nd Venice Biennial.
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Works
Monika Sosnowska
Handrail, 2016/2021Painted steel, PVC451 x 1000 x 20 cm
177.6 x 393.7 x 7.8 inches
Dimensions variable, site specific installationB-MSOSNOWSKA-.21-0004Monika Sosnsowka’s Handrail, a site-specific installation that has been reworked to various environments since 2016, is a re-interpretation of a 1970s plastic-covered steel banister that playfully curves and loops on...Monika Sosnsowka’s Handrail, a site-specific installation that has been reworked to various environments since 2016, is a re-interpretation of a 1970s plastic-covered steel banister that playfully curves and loops on the wall, divorced it from its functionality and initial purpose. Sosnowska’s sculptures often allude to existing structures, which removed from their original context subvert the notion of the utility that once was. The artist's distinct and autonomous sculptural language is one of distortion and transformation, that alludes to the material changes of her native Poland after the collapse of the Soviet union, which rapidly transformed the political and architectural landscape. By idiosyncratically warping a real object, Sosnowska creates an immersive viewing experience of uncanny familiarity.Exhibitions
Infinite Games... 2, Capitain Petzel, Berlin, 2021
Monika Sosnowska, Zachęta - National Gallery of Art, Warsaw, 2020
Monika Sosnowska, Hayward Gallery, London, 2018/2019
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