Monika Sosnowska
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Biography
Born 1972 in Ryki, Poland
Lives and works in Warsaw, Poland
Monika Sosnowska is a sculptor best known for her large, site-specific architectural installations created by appropriating and manipulating construction materials such as steel beams, concrete, rods and pipes. She creates impactful and elegant sculptures with playful elements that challenge the perception of the viewer. Sosnowska can be regarded not only as a sculptor but also as a designer of space, as her architectonic sculptures are designed and realised for specific sites and occasions. This specificity and impermanence are integral to her work.
Sosnowska is also interested in the interplay of architectural and mental space and the experience of spatial sensations, exploring this in a formally minimalist and conceptual sculptural language. Through this, she makes reference to and comments on modernism and its utopian ideals, specifically its architectural implementation and effect in her native Poland and surrounding Eastern European countries. She distorts and reassembles architectural materials, divorcing them from their former functionality to contradict the rational paradigm of modernism, and to create as a result beautiful visual puzzles and optical illusions.
Sosnowska has shown extensively over the last two decades, with major solo exhibitions at EMMA - Espoo Museum of Modern Art, Espoo, Finnland (2024), Zentrum Paul Klee, Berlin (2023); Kunstraum Dornbirn (2022); Zachęta – National Gallery of Art, Warsaw (2020); Saarlandmuseum Moderne Galerie, Saarbrücken (2020); Garage Museum of Contemporary Art, Moscow (2020); The Modern Institute, Glasgow (2019); Muzeum Susch, Engadin, Switzerland (2017); Ginza Maison Hermès, Tokyo (2015); Museum of Contemporary Art, Porto (2015); Australian Center for Contemporary Art (ACCA), Melbourne (2013); Museo Tamayo, Mexico City (2011); Herzliya Museum of Contemporary Art, Tel Aviv (2010); Museum of Modern Art, New York (2006). Her group exhibitions include Hayward Gallery, London (2018); Tate Modern, London (2017); Sprengel Museum Hannover (2015); Contemporary Arts Center, Cincinnati, (2014); The Museum of Contemporary Art Chicago (2012); Centre Pompidou, Paris (2010) and many more. In 2007, Sosnowska represented Poland at the 52nd Venice Biennial.
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WorksOpen a larger version of the following image in a popup:
Installation view, Sweet Sixteen, Capitain Petzel, Berlin, 2024
Monika Sosnowska
Untitled (Squeezed Market Stand), 2023Steel, paint130 x 360 x 300 cm
51.2 x 141.7 x 118.1 inchesB-MSOSNOWSKA-.24-0001Untitled (Squeezed Market Stand) by Monika Sosnowska evokes a sense of disorientation and tension. In this work, the artist transforms a familiar, utilitarian object - a market stand - into...Untitled (Squeezed Market Stand) by Monika Sosnowska evokes a sense of disorientation and tension. In this work, the artist transforms a familiar, utilitarian object - a market stand - into a dramatic tableau of collapse. The green metal frame of the stand is twisted and contorted pinned down under a wall, creating an illusion of a structure under immense pressure. Sosnowska’s material subterfuge captures a moment of intense strain, where she contorts sturdy metal to appear soft and malleable like plastic. Her use of industrial processes and materials such as steel, concrete, and metal rebar are central to her practice, enabling her to transform rigid structures into seemingly fragile and distorted forms.
Sosnowska frequently takes inspiration from the urban landscape and the architectural heritage of Eastern Europe, particularly the remnants of modernist and socialist architecture. Consequently, this work can be seen as commentary on the vulnerabilities of socio-economic structures and the impact of external pressures on them. The wall might be seen as a metaphor for these overwhelming forces — political, economic, and social — that can disrupt the fabric of daily existence. Sosnowska looks to architectural irregularities to create a sculptural body that appears at both ambiguous and intentionally engineered.Exhibitions
Sweet Sixteen, Capitain Petzel, Berlin, 2024
Monika Sosnowska, Zentrum Paul Klee, Bern, 20231of 14NewsExhibitionsExternal ExhibitionsPressPublications