Sarah Morris
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Biography
Born 1967 in Sevenoaks, UK
Lives and works in New York and London
Since the 1990s, Sarah Morris has received international acclaim for her films and paintings that explore contemporary urban topologies and their underlying psychologies. In her films, Morris presents expressionistic portraits of cities such as Paris, Abu Dhabi, Los Angeles and Beijing, and investigates their inherent codes and power structures. Morris constructs narratives in differing but always insightful and surprising ways, depicting the cities’ psychologies through specific urban scenes, sites, or viewpoints.
Her paintings, which she considers as parallels to her films, take a different vantage point to resemble abstracted geometric works painted in gloss paint on canvas. They make reference to architectural motifs and are rendered in vivid colours inspired by city landscapes. Morris’ paintings are smooth and precise and her visual language dramatic and emotive. Alongside this practice, she has also created site-specific architectural works for numerous institutions and public spaces, including the 39th Avenue MTA Station in Long Island City, New York (2019); Palais de Tokyo, Paris (2015); Kunsthalle Bremen (2013); and Lever House, New York (2006).
In 2023 and 2024 Sarah Morris' major retrospective All Systems Fail was on view at the Deichtorhallen, Hamburg; the Kunstmuseen Krefeld and the Zentrum Paul Klee, Bern. The exhibition will travel to the Kunstmuseum Stuttgart in September 2024. She has exhibited extensively worldwide, including at the Sao Paulo Museum of Art (2020); Ullens Center for Contemporary Art, Beijing (2018); Espoo Museum of Modern Art, Finland (2017); M Museum, Leuven, Belgium (2015); Kunsthalle Bremen (2013); Wexner Center for the Arts, Columbus (2012); Fondation Beyeler, Basel (2008); Museum Boijmans van Beuningen, Rotterdam (2006); Palais de Tokyo, Paris (2005); Hamburger Bahnhof, Berlin (2001) and many more. Her work is included in many public collections, including the Solomon R. Guggenheim Museum and Museum of Modern Art in New York, Centre Pompidou and Fondation Louis Vuitton in Paris, Tate Modern and Victoria & Albert Museum in London, Museum of Contemporary Art, Los Angeles, Städtische Galerie im Lenbachhaus, Munich, Stedelijk Museum, Amsterdam and Miami Art Museum, among others.
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Works
Sarah Morris
Finite and Infinite Games, 201716:9, HD videoDuration: 40:19 minsEdition 3/5, 2 APB-SMORRIS-.17-0001Sarah Morris employs architecture as a strategy for cinematic and theatrical potential in her films, placing her camera, the audience and herself in situations that evoke multiple meanings and scenarios....Sarah Morris employs architecture as a strategy for cinematic and theatrical potential in her films, placing her camera, the audience and herself in situations that evoke multiple meanings and scenarios. Morris shifts her lens to Alexander Kluge, the legendary German theorist and writer, who studied under Adorno and Horkheimer, a lawyer for the Frankfurt School, and paramount filmmaker of the New German Cinema; the recently finished but not yet utilized architecture of the controversial philharmonic space in Hamburg designed by the architects Herzog and de Meuron.
The short film of approximately 40 minutes will be shot using the philharmonic space as the stage and context for a philosophical conflict. Morris uses the concert hall in juxtaposition with a reading and dialogue between the artist and Kluge about James Carse’s seminal text, “Finite and Infinite Games”. The work lays out two opposing worldviews of structuring activity, politics, thinking, navigation, strategy and creativity. Kluge speaks of his experience as the Frankfurt School’s lawyer, working for Fritz Lang as well as his position as a theorist, writer and filmmaker. Carse’s theory of games becomes a starting point and encompasses all sociological and individual moments, whether it is aesthetic or otherwise. The juxtaposition between the freedom of infinite possibilities versus the rule-based operation of finite game playing are at the center of a dichotomy succinctly laid out by Kluge and Morris.ExhibitionsExternal ExhibitionsNewsPressPublications