Sarah Morris
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Biography
Born 1967 in Sevenoaks, UK
Lives and works in New York and London
Since the 1990s, Sarah Morris has received international acclaim for her films and paintings that explore contemporary urban topologies and their underlying psychologies. In her films, Morris presents expressionistic portraits of cities such as Paris, Abu Dhabi, Los Angeles and Beijing, and investigates their inherent codes and power structures. Morris constructs narratives in differing but always insightful and surprising ways, depicting the cities’ psychologies through specific urban scenes, sites, or viewpoints.
Her paintings, which she considers as parallels to her films, take a different vantage point to resemble abstracted geometric works painted in gloss paint on canvas. They make reference to architectural motifs and are rendered in vivid colours inspired by city landscapes. Morris’ paintings are smooth and precise and her visual language dramatic and emotive. Alongside this practice, she has also created site-specific architectural works for numerous institutions and public spaces, including the 39th Avenue MTA Station in Long Island City, New York (2019); Palais de Tokyo, Paris (2015); Kunsthalle Bremen (2013); and Lever House, New York (2006).
In 2023 and 2024 Sarah Morris' major retrospective All Systems Fail was on view at the Deichtorhallen, Hamburg; the Kunstmuseen Krefeld and the Zentrum Paul Klee, Bern. The exhibition will travel to the Kunstmuseum Stuttgart in September 2024. She has exhibited extensively worldwide, including at the Sao Paulo Museum of Art (2020); Ullens Center for Contemporary Art, Beijing (2018); Espoo Museum of Modern Art, Finland (2017); M Museum, Leuven, Belgium (2015); Kunsthalle Bremen (2013); Wexner Center for the Arts, Columbus (2012); Fondation Beyeler, Basel (2008); Museum Boijmans van Beuningen, Rotterdam (2006); Palais de Tokyo, Paris (2005); Hamburger Bahnhof, Berlin (2001) and many more. Her work is included in many public collections, including the Solomon R. Guggenheim Museum and Museum of Modern Art in New York, Centre Pompidou and Fondation Louis Vuitton in Paris, Tate Modern and Victoria & Albert Museum in London, Museum of Contemporary Art, Los Angeles, Städtische Galerie im Lenbachhaus, Munich, Stedelijk Museum, Amsterdam and Miami Art Museum, among others.
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Works
Sarah Morris
Capital, 200016mm/HD, Duration: 18 minutes, 18 secondsB-SMORRIS-.16-0001Since the mid-1990s, Sarah Morris has been internationally recognized for her complex abstractions and films, which play with architecture and the psychology of urban environments. Morris views her paintings as...Since the mid-1990s, Sarah Morris has been internationally recognized for her complex abstractions and films, which play with architecture and the psychology of urban environments. Morris views her paintings as parallels to her film – both trace urban, social and bureaucratic topologies. In both these media, she explores the psychology of the contemporary city and its architecturally encoded politics. Morris assesses what today’s urban structures, bureaucracies, cities and nations might conceal and surveys how a particular moment can be inscribed and embedded into its visual surfaces. Often, these non-narrative fictional analyses result in studies of conspiratorial power, structures of control, and the mapping of global socio-political networks.
Sarah Morris made the film “Capital” in Washington D.C. during the final days of the Clinton administration. It is a record of now unimaginable access to the center of power. “Capital” continues Morris’s investigation of the way we decode and therefore begin to understand the structured world around us.
“Capital”, first exhibited at the National Gallery in Berlin (Hamburger Bahnhof), draws a complex and layered city portrait. The Mall, the White House Press Office, the World Bank, uniformed members of the Secret Service, the Presidential motorcade, the Watergate Complex, the Kennedy Center, the J. Edgar Hoover Building, the Pentagon, the daily activities of the President and an overall consideration of the city form a sequence of reflection points for her series of paintings. While her earlier paintings from New York and Las Vegas offered a new examination of the codes and structures of our urban environment, these new works introduce a revised mapping of power, desire, urbanism and design.24of 24ExhibitionsExternal ExhibitionsNewsPressPublications