Charline von Heyl
-
Biography
Born 1960 in Mainz, Germany
Lives and works in New York and Marfa
Charline von Heyl’s abstract paintings, drawings and collages are endlessly layered, enigmatic visual experiences filled with surprising juxtapositions and interactions. Her work resolutely strives against maintaining a cohesive narrative or signature style, but instead is fearless in its formal diversity. It requires active perception and participation to take in her bold lines and gestures, and abstract shapes and patterns. Her configurations possess a unique dynamism and energy, imbued with flashes of humour but simultaneously unafraid of poetic depth and pathos.
Embodied in von Heyl’s work are series of experiences and emotions, often opposing to create an intriguing sense of contradiction and tension. They impart to the viewer an unpredictable chain of associations and subtle references. Her canvases are as thoughtful and cerebral as they are aesthetically balanced, with their bold but harmonious colour palettes and their almost printed, two-dimensional quality.
Von Heyl is a highly regarded figure in contemporary painting and abstract expressionism, and her work has been shown extensively internationally. Her work was part of the current 59th Biennale di Venezia. She has had solo shows at Hirschorn Museum and Sculpture Garden, Washington; Museum Dhondt-Dhaenens, Deurl; Deichtorhallen, Hamburg; Tate Liverpool; Kunsthalle Nurnberg; Institute of Contemporary Art, Boston; Institute of Contemporary Art, Philadelphia; Le Consortium, Dijon; Dallas Museum of Art; Vienna Secession and many more. Her work has also been included in many group shows, such as at Museum Brandhorst, Munich; PARKETT Space, Zurich; Institute of Contemporary Art Chicago; Walker Art Center, Minneapolis; Museum of Modern Art, New York; Whitney Museum of American Art, New York; Hammer Museum, Los Angeles; Museum of Contemporary Art, Miami; Museum Fridericianum, Kassel, among others. Her work can be found in the public collections of Tate, London, Dallas Art Museum, Hammer Museum, Los Angeles, Musée d’art moderne de la Ville de Paris, Museum of Contemporary Art, Los Angeles, Museum of Modern Art, New York, San Francisco Museum of Modern Art, and others.
-
-
-
I have always been a sucker for the look of prints and have often faked that look in my paintings, so maybe it makes sense that I am using printing techniques now in the same way that I paint, so that one cannot follow the steps.
- Charline von Heyl
-
-
-
Works
Charline von Heyl
Untitled, 2008Set of 9 works
Acrylic paint, charcoal, collage, gouache, ink, wax, silkscreen, spraypaint, woodcut on paper and mylareach: 76.5 x 56.2 cm / 30 x 22 inches
Framed: 82.3 x 62 cm / 32.4 x 24.5 inchesB-CVONHEYL-.18-0003The 9-part series 'Untitled' was created in 2008 at a time when von Heyl was intensively engaged in printing techniques. She says about herself that she has always had an...The 9-part series "Untitled" was created in 2008 at a time when von Heyl was intensively engaged in printing techniques. She says about herself that she has always had an affinity for the look of prints and that she often feigns this look in her paintings without making the individual pictorial steps comprehensible to the viewer. So in this series, too, she plays with different techniques of printmaking and drawing. The individual sheets are extremely process-heavy and rich in detail.
Drawings and works on paper are an integral part of Charline's artistic practice. This aspect of her artistic oeuvre has been subject of many publications and reviews - as a representative of the lively critical interest, I attach a review published in Frieze in 2009. The set is based on her major solo show at Le Consortium in Dijon, where a large group of works on paper was prominently displayed. Please find installation views enclosed. After the exhibition ended, Charline von Heyl carefully assembled this group, which we now have the pleasure of offering.
Exhibitions
"Le jour de boire est arrivé", Le Consortium, Dijon, France, March 14 - May 31, 2009
"Charline von Heyl", westlondonprojects, London, UK, October 15 - November 29, 2009Literature
- Graw Isabelle, Innen ist Aussen über Charline von Heyl in der Galerie Capitain/Petzel Berlin, Texte zur Kunst (Nr.74), June 2009, pp. 167-171
- Barliant Claire and Turner Christopher, Painting Paradox, Modern Painters, Summer 2009, pp. 44-51
- Bell Kirsty, Its Own Reality, Frieze (Nr.123), May 2009, pp. 92-97ExhibitionsExternal ExhibitionsPressPublications