Isabella Ducrot
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Biography
Born 1931 in Naples, Italy
Lives and works in Rome, Italy
Isabella Ducrot is known for her devoted use of woven cloth as the founding material of her paintings. Only beginning her artistic career later in life, the Italian artist has assembled a sublime collection of antique textiles through her extensive travels through Asia, originating primarily from Turkey, India, China, Tibet and Afghanistan.
Ducrot’s first source of inspiration comes from the so-called weft of these fabrics. By bringing them to light and stretching them ever-so lightly, whether linen, silk, wool or other, the weft becomes visible, revealing the original architecture of the material, composed of crossing threads and voids. Ducrot has specifically made the checkered cloth her signature material, believing strongly in its expressive force, seeing it as an independent formal element and end unto itself. The extreme nudity of the checkered pattern offers the artist endless possibilities for artistic intervention.
Isabella Ducrot's solo exhibition WEAVING IS HUMAN is currently on view at Museo delle Civiltà in Rome. In 2026, Madre Museum in Naples will present the first ever retrospective of the artist, curated by Adam Weinberg. In 2024 Ducrot had a comprehensive solo show at Le Consortium Museum in Dijon. She also created a monumental scenography for Dior's spring 2024 haute couture show. Ducrot's large-scale installation Omaggio a Mishima (Homage to Mishima) was part of Art Basel's Unlimited sector in 2022. Her recent solo exhibitions include MAXXI a Taormina, Palazzo Ciampoli; Galerie Gisela Capitain, Cologne; Sadie Coles HQ, London; Petzel, New York; Standard, Oslo; Belenius Stockholm; San Giuseppe alle Scalze a Pontecorvo, Napoli; T293, Rome; Galerie Mezzanin, Geneva; Capitain Petzel, Berlin; Spazio Parlato, Palermo and Museo Archeologico Nazionale di Napoli. In 2014, Ducrot held a significant exhibition at the Galleria Nazionale d'Arte Moderna e Contemporanea in Rome. Additionally, she participated in the Venice Biennale in 1993 and 2011.
Ducrot is also the author of numerous publications including Women’s Life (2021); La stoffa a quadri (also translated and published in English as The Checkered Cloth) (2019); Suonno. Il sonno e il sogno nella canzone napoletana (2012); Fallaste Corazón (2012); Pensiero religioso ed elettricità (2011); La Matassa Primordale (2008); and Bianca di Pelle (1995). Her work is held in the permanent collection of the Galleria Nazionale d’Arte Moderna e Contemporanea, Rome.
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I remember the first time I saw the ceremonial garments of the sultans of the Ottoman Empire on display in the Topkapi Palace museum in Istanbul; I was deeply struck by their size, they were out of proportion and revealed the sovereign indifference of the court tailors: they had taken no account of the normal anatomy of the human being.
– Isabella Ducrot
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Ducrot's depictions of flowers and ceramic vessels symbolize her idea of happiness: "Happiness for me is being seated around a table with one friend, with more friends, with family... cups of tea, teapots, pots. I love Japan for its cult of pots." A convergence of everyday reality, inner life, and broader cultural references has been a defining feature of her work from the outset.
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Works
Isabella Ducrot
Small Tendernesses VI, 2021Collage, pencil, pastel and pigments on Japanese paper, framedSigned and dated rectoPaper dimensions:
95 x 63 cm / 37.4 x 24.8 inches
Framed dimensions:
115.2 x 82.2 cm / 45.3 x 32.4 inchesB-IDUCROT-.21-0016Isabella Ducrot is known for her devoted use of woven cloth as the founding material of her artistic practice. Only beginning her artistic career later in life, the Italian artist...Isabella Ducrot is known for her devoted use of woven cloth as the founding material of her artistic practice. Only beginning her artistic career later in life, the Italian artist has assembled a sublime collection of antique textiles through her extensive travels through Asia, originating primarily from Turkey, India, China, Tibet and Afghanistan.
Ducrot has been depicting erotic scenes since the late nineties, though has seldom shown them in public. Her gestural works share a tenderness and sensuality which contribute to a narrative of sexual duality as a key to interpreting the world. These erotic compositions are drawn on Chinese paper, a material which forms the starting point of their creation as Ducrot drew references from venerable erotic drawings of the Oriental World for the works.Literature
Tendernesses. Isabella Ducrot, with texts by Pavel Rebernik and Emanuele Dattilo. Exhibition catalogue Galerie Gisela Capitain, Cologne 2022, unpaged.NewsExhibitionsExternal ExhibitionsPressIsabella Ducrot's Studio | Frieze Masters 2024
PublicationsTouring a 16th-Century Italian Palace: Isabella Ducrot's Private Art Collection | The World of Interiors