Barbara Bloom
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Biography
Born 1951 in Los Angeles, CA
Lives and works in New York
Barbara Bloom is a conceptual artist best known for her multimedia installation works which construct visual narratives that examine the relationships between objects, and the meanings generated by their juxtaposition. Bloom intricately constructs visual worlds across mediums including photography, installation, film and books.
Bloom is interested in exploring the nature of looking and perceiving through her work, often drawing inspiration from literature — she effectively refers to herself as “a novelist who inadvertently ended up a visual artist”. Bloom’s most recent exhibition at Capitain Petzel, “Works on Paper, on Paper”, is filled with references to her heroes of literature and film — from Vladimir Nabokov and Jane Austen, to Jean Seberg and Marilyn Monroe. Her series “The Weather” and “Works for the Blind” from her earlier show at Capitain Petzel, both take specific literary texts as points of departure, subsequently relaying them in braille through installations and multimedia photographic works. Bloom works with elements such as shadows, traces, broken objects, and watermarks amongst other things, to investigate the visible and invisible, the absent and unseen, or what she calls “visual innuendos”.
In 2020, Bloom had a solo show at the Kunsthal Aarhus, Denmark. Her other solo exhibitions include MoMA, New York; Project Art Centre, Dublin; The Jewish Museum, New York; Martin-Gropius-Bau, Berlin; Museum of Contemporary Art, LA; Serpentine Gallery, London. In 2020, Bloom will also participate in a group show at the Museum für Angewandte Kunst, Leipzig. Her other group shows include Palais de Tokyo, Paris; Hamburger Bahnhof, Berlin; Kunsthalle Wien; Stedelijk Museum, Amsterdam; Deichtorhallen, Hamburg, among others. In 1988 Bloom received the Venice Biennale Duamila Prize for Best Young Artist and the John Simon Guggenheim Memorial Foundation Followship in Fine Arts. Her work can be found in public collections such as the Dutch National Collection, The Hague; International Center of Photography, New York; Israel Museum, Jerusalem; Museum of Contemporary Art, Los Angeles; Helsinki Museum of Modern Art; Stedelijk Museum, Amsterdam; The Art Institute of Chicago; The New School, New York; ARTER, Istanbul.
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WorksOpen a larger version of the following image in a popup:
Installation view, Sweet Sixteen, Capitain Petzel, Berlin, 2024
Open a larger version of the following image in a popup:Installation view, Note G, Chicago Manual of Style, 2018. Ph: Daniel Hojnacki
Open a larger version of the following image in a popup:Installation view, Note G, Chicago Manual of Style, 2018. Ph: Daniel Hojnacki
Open a larger version of the following image in a popup:Installation view, Note G, Chicago Manual of Style, 2018. Ph: Daniel Hojnacki
Barbara Bloom
Steinway Piano Carpet, 2010Wool rug228.5 x 183.5 cm
90 x 72.2 inchesEdition of 15B-BBLOOM-.24-0002Further images
Barbara Bloom is known for blurring the boundaries between art and functional objects, often creating works in the form of furniture installations that have been stripped of their original utility....Barbara Bloom is known for blurring the boundaries between art and functional objects, often creating works in the form of furniture installations that have been stripped of their original utility. By crafting works in the form of carpets, objects that are inherently tactile, she invites viewer participation on a physical and sensory level, while the work is still inaccessible, exhibited on a pedestal. This notable work, the Steinway Piano Carpet, explores the absence and potential presence of a piano at various scales. The artist imagines the piano not as a physical object but through its absence and potential forms. This exploration underscores themes of memory, loss, and the unseen impact of cultural icons. The piano's absence evokes a sense of longing and contemplation, prompting viewers to consider what is missing and what could be.
The piano holds a special place in Barbara Bloom's work, serving as a multifaceted symbol and artistic tool. Its significance can be understood through several dimensions; A Steinway, for example, is often considered an emblem of musical excellence and cultural heritage.Exhibitions
Sweet Sixteen, Capitain Petzel, Berlin, 2024
Note G, Chicago Manual of Style, Chicago, 2018
Barbara Bloom, Present, Galerie Gisela Capitain, Cologne, 2010
Barbara Bloom, Staged, Lüttgenmeijer, Berlin, 2010
Barbara Bloom, Present, Tracy Williams, Ltd., New York, 2010
Publications
Gifts, Barbara Bloom, Susan Tallman (eds), Antwerp 2016, p. 13NewsExhibitionsExternal ExhibitionsPressPublications