Yael Bartana
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Biography
Born 1970 in Kfar Yehezkel, Israel
Lives and works in Berlin and AmsterdamYael Bartana is an observer of the contemporary and a pre-enactor. She employs art as a scalpel inside the mechanisms of power structures and navigates the fine and crackled line between the sociological and the imagination. Over the past twenty years, she has dealt with some of the dark dreams of the collective unconscious and reactivated the collective imagination, dissected group identities and (an-)aesthetic means of persuasion. In her films, installations, photographs, staged performances and public monuments Yael Bartana investigates subjects like national identity, trauma, and displacement, often through ceremonies, memorials, public rituals and collective gatherings.
Under the title Thresholds, Bartana co-represented Germany alongside theatre director Ersan Mondtag at the Venice Biennale 2024. This is the second time Bartana is representing a country other than Israel in the Biennale, following the exhibition of …and Europe will be stunned as the official Polish participation at the 54th Biennale in 2011. Bartana was also awarded the Rome Prize of the Villa Massimo in 2023/24, where she was in residency in 2023/24.
In 2025 Bartana will present a solo exhibition at the North Norwegian Art Center, Lofoten, Norway. In 2024 the artist held solo exhibitions in Weserburg Museum of Modern Art, Bremen and Gammel Strand, Copenhagen as well as in the National Museum of Contemporary Art in Athens. Further recent solo exhibitions include Center for Digital Art (CDA) in Holon (2023), Philadelphia Museum of Art (2021/ 2018), Jewish Museum Berlin (2021), Fondazione Modena Arte Visive in Modena (2019), Musée cantonal des Beaux-Arts in Lausanne (2017), Stedelijk Museum in Amsterdam (2014), Secession in Vienna (2012) and Louisiana Museum of Modern Art in Humlebæk, Denmark (2012).
Yael Bartana‘s works are part of various permanent collections, such as Jewish Museum, Berlin, Tate Modern, London, Jewish Museum, New York, Guggenheim, New York and Abu Dhabi, Centre Pompidou, Paris, Hammer Museum, Los Angeles, San Francisco Museum of Modern Art, Museum of Modern Art, Warsaw, Israel Museum, Jerusalem, Kunstmuseum St. Gallen, Van Abbemuseum, Eindhoven, Stedelijk Museum, Amsterdam, Magasin III – Museum for Contemporary Art, Stockholm and The German Federal Collection of Contemporary Art.
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News
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The imagery of identity and the politics of memory are the themes which form the core of Yael Bartana‘s artistic practice. Constantly seeking to create alternative fictional realities in commentary to existing narratives, Yael Bartana stages speculative situations and introduces fictive moments and futures in her works. Though known for her films and collective performances, the artist works across many various media, including sculpture, light ojects, installation and photography.
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Works
Yael Bartana
Es war einmal II (Once upon a time II), 2022Fine art pigment print on 23,75 carat gold paperSigned versoPaper dimensions:
30 x 43 cm / 11.8 x 16.9 inches
Framed dimensions:
38.5 x 51.1 cm / 15.2 x 20.3 inchesEdition of 3 + 2 APYBARTANA-.21-0013'Es war einmal I (Once upon a time I)' depicts a scene of the video work 'Malka Germania', initially commissioned by the Jewish Museum Berlin. 'Malka Germania' investigates the longing..."Es war einmal I (Once upon a time I)" depicts a scene of the video work "Malka Germania", initially commissioned by the Jewish Museum Berlin. "Malka Germania" investigates the longing for collective redemption as a response to an age of anxiety. An androgynous messianic figure, Malka Germania, arrives in Berlin and brings about a series of changes in the city: the past and future implode into an alternative present. "Es war einmal I (Once upon a time I)" portrays gray areas, historic imagery, subconscious elements and ambiguities of contemporary German-Jewish experience through the artistic medium. At the same time, it attempts to disrupt a fixed iconography and to deconstruct identities.
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Die 43-minütige Videoarbeit Malka Germania, hebräisch für „Königin Deutschland, die im Auftrag des Jüdischen Museums Berlin anstanden ist, bildete den Mittelpunkt von Yael Bartanas umfangreichen Retrospektive „Redemption Now“ im vergangenen Jahr. Der Name „Malka“ bezieht sich auf eine ungewöhnliche weibliche Bezeichnung für den Messias: "Malka Meshichah" oder die "Gesalbte Königin". Der Messias ist nach Berlin und damit in das historische Epizentrum des jüdischen, israelischen und deutschen kollektiven Gedächtnisses gekommen. Mit dieser weiblichen Messias-Figur ziehen israelische Soldaten, aus der Zeit gefallene Tänzerinnen und Athleten in die Stadt ein. Doch anstatt eine unmittelbare Erlösung zu erfahren, wie der Ausstellungstitel suggeriert, wird die Stadt vom kollektiven Unterbewusstsein ihrer Bewohner heimgesucht: ihren Träumen, Ängsten und Erinnerungen. In Malka Germania untersucht Bartana die Sehnsucht nach kollektiver Erlösung, die die deutsch-jüdischen Beziehungen seit dem Holocaust geprägt hat. Durch das Medium der Kunst vermischt die Künstlerin unbewusste Elemente, Grauzonen und Zweideutigkeiten, während sie gleichzeitig den Versuch unternimmt, eine festgelegte Ikonographie zu durchbrechen und Identitäten zu dekonstruieren - Vergangenheit und Zukunft implodieren in eine alternative Gegenwart.Publications
Yael Bartana: The Book of Malka Germania, exh. cat., Jewish Museum Berlin, 2021, ill. p. 88.
ExhibitionsExternal ExhibitionsPressPublicationsVideoArtist Yael Bartana: Imagine Something Different | Louisiana Channel, 2024
Artist Talk Yael Bartana: Redemption Now | Jewish Museum Berlin, 2021