Yael Bartana
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Biography
Born 1970 in Kfar Yehezkel, Israel
Lives and works in Berlin and AmsterdamYael Bartana is an observer of the contemporary and a pre-enactor. She employs art as a scalpel inside the mechanisms of power structures and navigates the fine and crackled line between the sociological and the imagination. Over the past twenty years, she has dealt with some of the dark dreams of the collective unconscious and reactivated the collective imagination, dissected group identities and (an-)aesthetic means of persuasion. In her films, installations, photographs, staged performances and public monuments Yael Bartana investigates subjects like national identity, trauma, and displacement, often through ceremonies, memorials, public rituals and collective gatherings.
Under the title Thresholds, Bartana co-represented Germany alongside theatre director Ersan Mondtag at the Venice Biennale 2024. This is the second time Bartana is representing a country other than Israel in the Biennale, following the exhibition of …and Europe will be stunned as the official Polish participation at the 54th Biennale in 2011. Bartana was also awarded the Rome Prize of the Villa Massimo in 2023/24, where she was in residency in 2023/24.
In 2025 Bartana will present a solo exhibition at the North Norwegian Art Center, Lofoten, Norway. In 2024 the artist held solo exhibitions in Weserburg Museum of Modern Art, Bremen and Gammel Strand, Copenhagen as well as in the National Museum of Contemporary Art in Athens. Further recent solo exhibitions include Center for Digital Art (CDA) in Holon (2023), Philadelphia Museum of Art (2021/ 2018), Jewish Museum Berlin (2021), Fondazione Modena Arte Visive in Modena (2019), Musée cantonal des Beaux-Arts in Lausanne (2017), Stedelijk Museum in Amsterdam (2014), Secession in Vienna (2012) and Louisiana Museum of Modern Art in Humlebæk, Denmark (2012).
Yael Bartana‘s works are part of various permanent collections, such as Jewish Museum, Berlin, Tate Modern, London, Jewish Museum, New York, Guggenheim, New York and Abu Dhabi, Centre Pompidou, Paris, Hammer Museum, Los Angeles, San Francisco Museum of Modern Art, Museum of Modern Art, Warsaw, Israel Museum, Jerusalem, Kunstmuseum St. Gallen, Van Abbemuseum, Eindhoven, Stedelijk Museum, Amsterdam, Magasin III – Museum for Contemporary Art, Stockholm and The German Federal Collection of Contemporary Art.
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News
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The imagery of identity and the politics of memory are the themes which form the core of Yael Bartana‘s artistic practice. Constantly seeking to create alternative fictional realities in commentary to existing narratives, Yael Bartana stages speculative situations and introduces fictive moments and futures in her works. Though known for her films and collective performances, the artist works across many various media, including sculpture, light ojects, installation and photography.
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WorksOpen a larger version of the following image in a popup:
Yael Bartana, The Undertaker, Philadelphia Museum of Art, 2021 Photography: Joseph Hu, 2021.
Yael Bartana
The Undertaker, 2019One channel video and sound installation, 13 minEdition of 6 + 2 APB-YBARTANA-.19-0002Yael Bartana is interested in questions of group dynamics and leadership. In politics as in messianism, faith is often placed in one person’s ability to guide their followers to a...Yael Bartana is interested in questions of group dynamics and leadership. In politics as in messianism, faith is often placed in one person’s ability to guide their followers to a better future. The Undertaker portrays an enigmatic leader guiding a group of armed followers on a ceremonial march. Bearing firearms from various historical contexts and accompanied by people dressed in uniforms from the American Revolution, the group strides down the streets of Philadelphia, the birthplace of US democracy. The procession concludes at Laurel Hill Cemetery, where the group buries its weapons in the tradition of some North American indigenous peoples. The participants’ choreography draws on a 1953 composition by Noa Eshkol (1924–2007). Rather than a memorial to the dead, Bartana’s symbolic burial is a monument for the living, an invitation to consider our bodies as both carriers of trauma as well as vehicles for hope and resistance.
Exhibitions
'Noa Eshkol, No Time to Dance', Georg Kolbe Museum, Berlin, 2024'Yael Bartana: Redemption Now', Jewish Museum, Berlin, 2021
'Witch Hunt', Hammer Museum, Los Angeles, USA, 2021
'The Undertaker', The Philadelphia Museum of Art, Philadelphia, 2021
'Yael Bartana / The Undertakers', Sommer Contemporary Art, Tel-Aviv, 2020'Yael Bartana: The Graveyard', Capitain Petzel, Berlin, 2019
ExhibitionsExternal ExhibitionsPressPublicationsVideoArtist Yael Bartana: Imagine Something Different | Louisiana Channel, 2024
Artist Talk Yael Bartana: Redemption Now | Jewish Museum Berlin, 2021