Yael Bartana
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Biography
Born 1970 in Kfar Yehezkel, Israel
Lives and works in Berlin and AmsterdamYael Bartana is an observer of the contemporary and a pre-enactor. She employs art as a scalpel inside the mechanisms of power structures and navigates the fine and crackled line between the sociological and the imagination. Over the past twenty years, she has dealt with some of the dark dreams of the collective unconscious and reactivated the collective imagination, dissected group identities and (an-)aesthetic means of persuasion. In her films, installations, photographs, staged performances and public monuments Yael Bartana investigates subjects like national identity, trauma, and displacement, often through ceremonies, memorials, public rituals and collective gatherings.
Under the title Thresholds, Bartana co-represented Germany alongside theatre director Ersan Mondtag at the Venice Biennale 2024. This is the second time Bartana is representing a country other than Israel in the Biennale, following the exhibition of …and Europe will be stunned as the official Polish participation at the 54th Biennale in 2011. Bartana was also awarded the Rome Prize of the Villa Massimo in 2023/24, where she was in residency in 2023/24.
In 2025 Bartana will present a solo exhibition at the North Norwegian Art Center, Lofoten, Norway. In 2024 the artist held solo exhibitions in Weserburg Museum of Modern Art, Bremen and Gammel Strand, Copenhagen as well as in the National Museum of Contemporary Art in Athens. Further recent solo exhibitions include Center for Digital Art (CDA) in Holon (2023), Philadelphia Museum of Art (2021/ 2018), Jewish Museum Berlin (2021), Fondazione Modena Arte Visive in Modena (2019), Musée cantonal des Beaux-Arts in Lausanne (2017), Stedelijk Museum in Amsterdam (2014), Secession in Vienna (2012) and Louisiana Museum of Modern Art in Humlebæk, Denmark (2012).
Yael Bartana‘s works are part of various permanent collections, such as Jewish Museum, Berlin, Tate Modern, London, Jewish Museum, New York, Guggenheim, New York and Abu Dhabi, Centre Pompidou, Paris, Hammer Museum, Los Angeles, San Francisco Museum of Modern Art, Museum of Modern Art, Warsaw, Israel Museum, Jerusalem, Kunstmuseum St. Gallen, Van Abbemuseum, Eindhoven, Stedelijk Museum, Amsterdam, Magasin III – Museum for Contemporary Art, Stockholm and The German Federal Collection of Contemporary Art.
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News
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The imagery of identity and the politics of memory are the themes which form the core of Yael Bartana‘s artistic practice. Constantly seeking to create alternative fictional realities in commentary to existing narratives, Yael Bartana stages speculative situations and introduces fictive moments and futures in her works. Though known for her films and collective performances, the artist works across many various media, including sculpture, light ojects, installation and photography.
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Works
Yael Bartana
Two Minutes To Midnight, 2021One channel video and sound installation47 minEdition of 5 + 2 APYBARTANA-.21-0007“What if women ruled the world?” Yael Bartana stages the question in her performative ‘Two Minutes to Midnight,’, where an all women government of a fictitious country must take a...“What if women ruled the world?” Yael Bartana stages the question in her performative ‘Two Minutes to Midnight,’, where an all women government of a fictitious country must take a stand on an imminent nuclear threat from a foreign nation. A panel of fictional characters and real women experts in fields such as defence, law, politics and psychology is set in a democratic ‘Peace Room’, mirroring the toxically masculine ‘War Room’ in Stanley Kubrick’s classic Cold War satire, ‘Dr. Strangelove.’ The women are tasked with deciding how to approach the prescripted situation. Bartana’s visionary work is the synthesis of an interdisciplinary four-year process that analyses the geopolitical power game – and presents us with an alternative to the macho power discourse.
The footage emerged from the recordings of the hybrid-experimental live performance What if Women Ruled the World? in Aarhus and Berlin (2017 and 2018) And the performance “Bury Our Weapons not Our Bodies” (Philadelphia 2019).Exhibitions
2025
Frey Seyen und Wöllen Sein, MEWO Kunsthalle, Memmingen
Museum van Bommel van Dam, Venlo, The Netherlands
2024
Yael Bartana – Midnight, 47m Gallery, Leipzig, Germany
WHAT IF WOMEN RULED THE WORLD? Part 2, EMST, Athens, Greece
Poetics of Power, Kunsthaus Graz, Austria
2022
#empowerment Planetarische Feminismen, Kunstmuseum Wolfsburg, Germany
Twilight Land, Moderna Museet, Malmö, Sweden
I’m Stepping High, I’m Drifting, and There I Go Leaping, Xiao Museum, Rhizao, China2021
Witch Hunt, Hammer Museum, Los Angeles, USA
Industrial Biennial of Contemporary Art, Ekaterinburg, Russia
Publications
Empowerment. Art and Feminisms, exhibition catalogue Kunstmuseum Wolfsburg, 2022, p. 426,427.ExhibitionsExternal ExhibitionsPressPublicationsVideoArtist Yael Bartana: Imagine Something Different | Louisiana Channel, 2024
Artist Talk Yael Bartana: Redemption Now | Jewish Museum Berlin, 2021