Yael Bartana
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Biography
Born 1970 in Kfar Yehezkel, Israel
Lives and works in Berlin and AmsterdamYael Bartana is an observer of the contemporary and a pre-enactor. She employs art as a scalpel inside the mechanisms of power structures and navigates the fine and crackled line between the sociological and the imagination. Over the past twenty years, she has dealt with some of the dark dreams of the collective unconscious and reactivated the collective imagination, dissected group identities and (an-)aesthetic means of persuasion. In her films, installations, photographs, staged performances and public monuments Yael Bartana investigates subjects like national identity, trauma, and displacement, often through ceremonies, memorials, public rituals and collective gatherings.
Under the title Thresholds, Bartana co-represented Germany alongside theatre director Ersan Mondtag at the Venice Biennale 2024. This is the second time Bartana is representing a country other than Israel in the Biennale, following the exhibition of …and Europe will be stunned as the official Polish participation at the 54th Biennale in 2011. Bartana was also awarded the Rome Prize of the Villa Massimo in 2023/24, where she was in residency in 2023/24.
In 2025 Bartana will present a solo exhibition at the North Norwegian Art Center, Lofoten, Norway. In 2024 the artist held solo exhibitions in Weserburg Museum of Modern Art, Bremen and Gammel Strand, Copenhagen as well as in the National Museum of Contemporary Art in Athens. Further recent solo exhibitions include Center for Digital Art (CDA) in Holon (2023), Philadelphia Museum of Art (2021/ 2018), Jewish Museum Berlin (2021), Fondazione Modena Arte Visive in Modena (2019), Musée cantonal des Beaux-Arts in Lausanne (2017), Stedelijk Museum in Amsterdam (2014), Secession in Vienna (2012) and Louisiana Museum of Modern Art in Humlebæk, Denmark (2012).
Yael Bartana‘s works are part of various permanent collections, such as Jewish Museum, Berlin, Tate Modern, London, Jewish Museum, New York, Guggenheim, New York and Abu Dhabi, Centre Pompidou, Paris, Hammer Museum, Los Angeles, San Francisco Museum of Modern Art, Museum of Modern Art, Warsaw, Israel Museum, Jerusalem, Kunstmuseum St. Gallen, Van Abbemuseum, Eindhoven, Stedelijk Museum, Amsterdam, Magasin III – Museum for Contemporary Art, Stockholm and The German Federal Collection of Contemporary Art.
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News
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The imagery of identity and the politics of memory are the themes which form the core of Yael Bartana‘s artistic practice. Constantly seeking to create alternative fictional realities in commentary to existing narratives, Yael Bartana stages speculative situations and introduces fictive moments and futures in her works. Though known for her films and collective performances, the artist works across many various media, including sculpture, light ojects, installation and photography.
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WorksOpen a larger version of the following image in a popup:
German Pavilion, 60th International Art Exhibition – La Biennale di Venezia. Yael Bartana: Life In The Generation Ship, 2024 as part of Light To The Nations, 2022-2024. Installation View Pavilion. Courtesy the Artist and LAS Art Foundation. Ph: Andrea Rossetti
Open a larger version of the following image in a popup:Still from 3D rendering dome projection
Open a larger version of the following image in a popup:Still from 3D rendering dome projection
Open a larger version of the following image in a popup:Still from 3D rendering dome projection
Open a larger version of the following image in a popup:Still from 3D rendering dome projection
Yael Bartana
Light to the Nations – Life in the Generation Ship, 20243D rendering for dome projection, 21 minEdition of 6 + 2 APYBARTANA-.24-0019Further images
'If we understand thresholds as passages between territories, categories, and realities, then this is what my works always dealt with. Perhaps my central work in the pavilion, 'Light to the...'If we understand thresholds as passages between territories, categories, and realities, then this is what my works always dealt with. Perhaps my central work in the pavilion, 'Light to the Nations', can be understood as a means to overcome the final, earthly threshold.'
- Yael Bartana
Life in the Generation Ship is a 360-degree 3D rendering video installation, projected onto a dome. The dome visualizes five out of the ten Sefirot-based spheres of the ship: Bridge, Heritage, Agriculture, Public Space, and Recycling. The immersive installation amalgamates reality and fiction, allowing visitors to behold life on the futuristic spaceship. Part of Bartana’s method of pre-enactment, the spheres depict- ed within the installation—each representing a different aspect of the spaceship's functioning society—are designed to invite reflection on both historical and futuristic narratives. The dome itself is not merely a projection surface but a deliberate architectural choice that brings to mind the symbolic significance of domes in places of worship.Exhibitions
'Thresholds', The German Pavilion at the 60th International Art Exhibition – La Biennale di Venezia, 2024ExhibitionsExternal ExhibitionsPressPublicationsVideoArtist Yael Bartana: Imagine Something Different | Louisiana Channel, 2024
Artist Talk Yael Bartana: Redemption Now | Jewish Museum Berlin, 2021