Born in 1970 in Chongqing, China

Lives and works in Beijing and Chengdu, China

Within the Chinese modern art scene, Xie Nanxing has carved out a special place for himself. The artist has explored the infinite possibilities of painting over the course of his decades-long practice. From his photorealist self-portraits and male nudities that he displayed at the 48th Venice Biennale in 1999, just three years after graduating from the Sichuan Fine Arts Institute, to his out-of-focus renderings of nocturnal gardens, which he presented at documenta 12 in Kassel in 2007.

Recent and notable solo and group exhibitions include Sigg Prize at M+, Hong Kong (2023-2024); UCCA Edge, Beijing (2023); Beijing Bienniale (2022); Art Museum of Sichuan Fine Arts Institute, Chongqing (2021); Song Art Museum, Beijing (2020); Hive Center For Contemporary Art, Beijing (2020); Württembergischer Kunstverein, Stuttgart (2019); MAK Museum für Angewandte Kunst, Vienna (2019); Ullens Center for Contemporary Art, Beijing (2018); Red Brick Art Museum, Beijing (2016); Museum of Contemporary Art Chengdu (2016); Today Art Museum, Beijing (2016); Shanghai 21st Century Minsheng Art Museum (2015); OCT Contemporary Art Terminal (OCAT), Shenzhen (2014); Centro di Cultura Contemporanea Strozzina (CCCS), Palazzo Strozzi, Florence (2010); Kunsthalle Basel (2002); documenta 12, Kassel (2007); Kunstverein Harburger Bahnhof (2005); Manchester Art Gallery (2003) and La Biennale di Venezia, 48. Esposizione Internationale d’Arte, Venice (1999).

Nanxing’s work is included in renowned international contemporary art collections, among them M+Museum, Hong Kong; the Rachofsky Collection, Dallas; Start Museum, Shanghai; Sammlung Goetz, Munich and By Art Matters, Hangzhou.