Alexandra Metcalf
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Biography
Born 1992 in London, UK
Lives and works in Berlin, Germany
Alexandra Metcalf works in painting and sculpture, reinterpreting the history of gendered labor through ornamental traditions. Metcalf considers the way historic counter-culture movements shape aesthetics, with the intense patterns and coloring of her paintings representing domestic landscapes full of anxiety. Metcalf mythologizes a dramatic descent into madness through exaggerated yet self-aware images related to historically established notions of femininity. One could see this as a satire of literary tropes or an attempt to depict the heightened levels of dramatic tension characteristic of operatic storytelling, where most things are to be seen in parentheses. Her fascination with craft is coupled with attempts to regender labor-intensive mediums historically seen as masculine, including stained glass, bronze casting, and handcrafted woodwork.
Alexandra Metcalf graduated from the Chelsea College of Art and Design, London and Rhode Island School of Design, Providence. Her work has recently been exhibited at No. 9 Cork Street, London; FRAC Corsica, Corte; Forde, Geneva; Kunsthalle Zürich; Champ Lacombe, Biarritz; 15 Orient Gallery, New York and Ginny on Frederick, London. Metcalf’s work is held in The Museum of Modern Art Library Collection, New York; The Perry and Marty Granoff Center for the Creative Arts, Brown University, Providence and The Perimeter, London.
A solo exhibition by Alexandra Metcalf will open at The Perimeter, London, in May 2025.
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Metcalf sometimes uses decoupage, that is, a collagelike craft technique for decorating objects with paper cut-outs sealed with varnish, as a way of both inserting legible pictures into her painted compositions and at the same time reminding us that these works are never anything but tangible objects not unlike the sorts of knickknacks and furniture that the procedure is normally used to embellish.
–Barry Schwabsky
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WorksOpen a larger version of the following image in a popup:
Richard Dadd, 'Sketch for an Idea of Crazy Jane', 1855
Alexandra Metcalf
Further Jane, 2024Oil on linen, Artist’s frameInitialed verso61.2 x 93.5 cm
24.1 x 36.8 inchesB-AMETCALF-.24-0002Started in 2023 for her participation in the Kunsthalle Zürich Biennial, this work is part of Alexandra Metcalf’s 'Crazy Jane' series, where the artist animates pairs of scissors by depicting...Started in 2023 for her participation in the Kunsthalle Zürich Biennial, this work is part of Alexandra Metcalf’s 'Crazy Jane' series, where the artist animates pairs of scissors by depicting them as floating on scenic yet ominous and barren landscapes. Pairs of scissors, household items conventionally associated with domesticity and crafts, are imbued with dread, functioning as symbols of both femininity and violence. The title of the work references the Victorian-era English painter Richard Dadd’s 1855 watercolor 'Sketch for an Idea of Crazy Jane', completed by the artist while a patient at Bethlem Royal Hospital. Here, the tragic outcast figure of Jane, with whom Dadd felt an affinity, is personified by the scissors. Applied to the canvas in the method of frottage, the painting demonstrates both a deep understanding of methods of image-making rooted in antiquated tradition and a sensitivity towards the pathos of the subject.ExhibitionsExternal ExhibitionsPress