Monica Bonvicini
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Biography
Born 1965 in Venice, Italy
Lives and works in Berlin, Germany
Monica Bonvicini is one of the most influential artists of her generation, well-known for her sharp and provocative artworks spanning sculpture, installation, drawing, video, and public projects. Her artistic exploration centers on the intersections of architecture, gender dynamics, and power structures, with a unique focus on both the built environment and the concept of destruction as a transformative agent. In her distinctive style, enriched with a dry and trenchant wit, Bonvicini's art remains unapologetically forthright, consistently forging a critical connection with the environments in which it is displayed, the very materials that constitute it, and the dynamic roles assigned to both the viewer and the artist.
Over the last three decades, Bonvicini’s innovative practice has made her a prominent figure in the global contemporary art world. Her practice has remained steadfast in delivering incisive critiques of entrenched patriarchal and socio-cultural conventions, reshaping contemporary art discourse and practice. She is also a well-regarded scholar, having held a professorship in Sculpture and Performative Arts at the Vienna Fine Arts Academy from 2003 to 2017. Since October 2017, Bonvicini assumed the professorship for Sculpture at the Universität der Künste in Berlin. She has also been a guest lecturer at major universities in Europe and abroad.
Bonvicini's solo show And Rose is currently on view at San Carlo in Cremona. She has held major solo exhibitions at institutions including Neue Nationalgalerie, Berlin (2022-2023); Kunst Museum Winterthur (2022); Kunsthaus Graz (2022); Bauhaus Dessau (2022); Kunsthalle Bielefeld (2020); Belvedere 21, Vienna (2019); Berlinische Galerie, Berlin (2017); Baltic Centre for Contemporary Art, Gateshead (2016); Deichtorhallen, Hamburg (2012); Art Institute of Chicago (2009); Centro de Arte Contemporaneo de Málaga (2010); Städtisches Museum Abteiberg, Mönchengladbach (2012); Kunstmuseum Basel (2009); Frac des Pays de la Loire, Carquefou (2009); Sculpture Center, New York (2007); Modern Art Oxford (2003); Secession, Vienna (2003); Palais de Tokyo, Paris (2002). Her work has been included in numerous institutional group exhibitions, such as Kunstmuseum Bonn (2023); Kunsthaus Zürich (2023); Deichtorhallen Hamburg (2023); Palais des Nations, Geneva (2023); Art Sonje Center, Seoul (2022); Castello di Rivoli, Turin (2021, 2005); National Gallery of Copenhagen (2019); Maxxi, Rome (2018); Kunsthalle Fridericianum, Kassel (2011); MoMa PS1, New York (2009); National Gallery of Iceland, Reykjavik (2008); Hamburger Bahnhof, Berlin (2022, 2013, 2006, 2005, 2001).
Her work has been featured in many prominent biennials, including Busan (2020); Istanbul (2017, 2003); Venice (2015, 2011, 2005, 2001, 1999); Berlin (2014, 2004, 1998); New Orleans (2008), Gwangju (2006); Sao Paulo (2006); Shanghai (2002); and Santa Fe (1999).
Bonvicini has earned several awards, including the Oskar Kokoschka Prize, Austria (2020); the Hans Platschek Prize for Art and Writing, Germany (2019); the Roland Prize for Art in Public Space from the Foundation Bremen, Germany (2013); the Preis der Nationalgalerie für junge Kunst from the Staatliche Museen zu Berlin (2005); the Golden Lion at the Biennale di Venezia (1999).
Bonvicini’s artworks are permanently installed in Queen Elizabeth Olympic Park, London; on the waterfront at Bjørvika, before the Den Norske Opera & Ballett House, Oslo; and in the Weserburg Museum of Modern Art, Bremen. In 2012 Bonvicini was appointed Commander of the Order of Merit of the Italian Republic.
Bonvicini’s work is represented in the permanent collection of Museum of Modern Art, New York; Walker Art Center, Minneapolis; Istanbul Museum of Art; Museo d’Arte Moderna di Bologna; MAXXI, Rome; Castello di Rivoli, Turin; Jumex Museum, Mexico City; Migros Museum für Gegenwartskunst, Zürich; Museion, Bolzano; Museum Sztuki, Lodz; Neue Galerie, Graz; Neue Nationalgalerie, Berlin; Sammlung Hoffmann, Berlin; Neues Museum Weimar; Staatliche Museen zu Berlin, Kupferstichkabinett, Berlin; Städtisches Museum Abteiberg, Mönchengladbach; Städtische Galerie im Lenbachhaus und Kunstbau, Munich; Kunsthalle Bielefeld, Kunst Museum Winterthur, Volpinum Kunstsammlung, Vienna; Museum Kunstpalast, Düsseldorf; Fonds régional d’art contemporain (Frac) des Pays de la Loire, Carquefou; Fonds régional d'art contemporain (Frac) de Lorraine, Metz, among others.
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Since the mid-1990s Monica Bonvicini has been exploring political, social, and institutional situations and their impact on society, as well as on the conditions of artistic production. Her work is direct, merciless, political, and not without a dry sense of humor. In the process, she focuses on the relationship between architecture, gender roles, control mechanisms, and devices of power.
– Axel Köhne, Curator, Belvedere 21
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Works
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Monica BonviciniHit & Run Lovers, 2024Red neon double tube letters, aluminum and electric cables101.3 x 226.9 x 6 cm
39.8 x 89 x 2.4 inches -
Monica BonviciniLove Is Blind (C6C), 2024Colored mirror, hot rolled steel, aluminium, stainless steel chain and handcuffs150 x 100 x 4.5 cm
59 x 39.4 x 1.8 inches -
Monica BonviciniFleurs du Mal (un couple), 2024Bronze, glass60 x 60 x 60 cm
23.6 x 23.6 x 23.6 inches -
Monica BonviciniJoy, 2024Spray paint on Fabriano paper31 x 39.5 cm
12.2 x 15.5 inches -
Monica BonviciniDon’t Throw In 15#, 2023Black leather men's belts, silver rivet screws and aluminum hook90 x 70 x 14 cm
35.4 x 27.5 x 5.5 inches -
Monica BonviciniNo, 2023Spray paint on Fabriano paper50 x 70.7 cm
19.7 x 27.8 inches -
Monica BonviciniBent Grass, 2022LED tubes, aluminum, GreenTEC, electrical wires and cables170 x 62 x 53 cm
66.9 x 24.4 x 20.9 inches -
Monica BonviciniLove Never Win, 2022Red neon tubes and electric cables121 x 67 x 4 cm
47.6 x 26.4 x 1.6 inches -
Monica BonviciniYou to Me, 2022Steel chain, black steel rings and black steel handcuffsDimensions variable
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Monica BonviciniI Cannot Hide My Anger (swing), 2021Silkscreen and spray paint on canvas101 x 74 cm
39.7 x 29.1 inches -
Monica BonviciniMarlboro Man Prairie, 2021Digital Print on Hahnemüle Photo Rag Bright White 310g PaperFramed dimensions:
407.2 x 599.6 cm / 160.3 x 236 inches -
Monica BonviciniPerpetual #2, 2021Hand-blown glass, black painted metal, wood and mirror13 x 38 x 38 cm
5.1 x 15 x 15 inches -
Monica BonviciniStripLight, 2021LED tube, GreenTEC, leather, cable97 x 4 x 3.5 cm
38.2 x 1.6 x 1.4 inchesEdition of 9 + 3 AP -
Monica BonviciniTree of Anger, 20217 printed embossed aluminium sheets, aluminum, stainless steel buckles and mounting brackets, steel band, rubber60 x 40 x 4 cm
23.6 x 15.7 x 1.6 inches -
Monica BonviciniPicked Up and Thrown, 2020Spray paint on Fabriano paperDiptych
Each 150 x 100 cm / 59 x 39.4 inches -
Monica BonviciniRun Your Rage, 2020Spray paint on Fabriano paper71 x 63 cm
28 x 24.8 inches -
Monica BonviciniBonded Eternmale, 2020-22Eternit Loop garden chair and black leather covers62 x 80 x 54 cm
24.4 x 31.5 x 21.3 inches -
Monica BonviciniI See a White Building, Pink and Blue, 2020Full HD video projection, 16:9, color, stereo soundDimensions variable
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Monica BonviciniRUN, 2020Tempera and spray paint on Fabriano paper100 x 75 cm
39.4 x 29.5 inches -
Monica BonviciniFurious Knitting #1, 2019Silkscreen print on aluminum75 x 100.5 cm
29.5 x 39.6 inchesEdition of 5 + 2 AP -
Monica BonviciniFurious Knitting #2, 2019Silkscreen print on aluminum75 x 100.5 cm
29.5 x 39.6 inchesEdition of 5 + 2 AP -
Monica BonviciniFurious Knitting #3, 2019Silkscreen print on aluminum75 x 100.5 cm
29.5 x 39.6 inchesEdition of 5 + 2 AP -
Monica BonviciniGolden City 2019, 2019Tempera and spray paint on Fabriano paperPaper dimensions:
200 x 150 cm / 78.7 x 59.1 inches
Framed dimensions:
210 x 160.5 cm / 82.7 x 63.2 inches -
Monica BonviciniHome is Where You Leave Your Belt, 2019Sideboard Thonet B 108 and bronze90 x 134 x 39 cm
35.4 x 52.7 x 15.3 inchesEdition of 4 + 1 AP -
Monica BonviciniNorth Carolina 2011, 2019Tempera and spray paint on Fabriano paperPaper dimensions:
150 x 200 cm / 59 x 78.7 inches
Framed dimensions:
160.5 x 210 cm / 63.2 x 82.7 inches -
Monica BonviciniBelt Exercise #2, 2018Bronze44 x 17 x 13 cm
17.3 x 6.7 x 5.1 inchesEdition of 5 + 2 AP -
Monica BonviciniBreathing, 2017Scaffolding, steel, air cylinder, compressor, rope, synthetic fiber and belts1000 x 800 x 165 cm
393.7 x 315 x 65 inches -
Monica BonviciniHard String, 2017Pigment print on paper, woven, mounted on Dibond479.5 x 474 cm
188.8 x 186.6 inches -
Monica BonviciniStructural Psychodrama #1, 2017Aluminum frame, chipboard, paint and concrete120 x 635 x 515 cm
47.2 x 250 x 202.8 inches -
Monica BonviciniLatent Combustion #2, 2015Chainsaws, axe, black polyurethane, matt finish, steel chains and hooks300 x 120 cm
118.1 x 47.2 inches -
Monica BonviciniRUN, 2010Mirror polished steel, glass and LEDs900 x 500 x 120 cm
354.3 x 196.8 x 47.2 inches -
Monica BonviciniSCALE OF THINGS (to come), 2010Galvanized steel pipes, galvanized plates
and chains, clamps393 x 192 x 485 cm
154.7 x 75.6 x 191 inches -
Monica BonviciniSatisfy Me (big), 2010Galvanized steel pipes, concrete, steel, paint, Alu Dibond panels and clamps1750 x 300 x 300 cm
689 x 118.1 x 118.1 inchesEdition of 1 + 1 AP -
Monica BonviciniShe Lies, 2010Styrofoam, concrete pontoon, stainless steel, reflecting glass panels, glass splinters and anchoring systemSize above sea level:
1700 x 1600 x 1200 cm / 669.3 x 629.9 x 472.4 inches -
Monica BonviciniSatisfy Me Flat, 2009Stainless steel panel, mirror, wooden panels and „Eiermann“ table base73.5 x 200 x 100 cm
29 x 78.7 x 39.4 inchesEdition of 5 + 2 AP -
Monica BonviciniIdentify Protection, 20066 tower harnesses, black liquid rubber, steel chains, steel ring, motor and timer
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Monica BonviciniDayton Midwest 2019, 2020Tempera and spray paint on Fabriano paper150 x 100 cm
59 x 39.4 inches
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Exhibitions
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External Exhibitions
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