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Installation view, Overflow, Afterglow: New York in Chromatic Figuration, The Jewish Museum, New York, 2024.
Courtesy the artist and The Jewish Museum, New York. Ph: Frederick Charles
![Austin Martin White, (last)Bacchanal(pity party) after B. Thompson, 2022](https://artlogic-res.cloudinary.com/w_1600,h_1600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/capitainpetzel/images/view/e96168f1f7451860e352a131569528e2j/capitainpetzel-austin-martin-white-last-bacchanal-pity-party-after-b.-thompson-2022.jpg)
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Installation view, Austin Martin White, 'Last Dance', Capitain Petzel, 2022
![Austin Martin White, (last)Bacchanal(pity party) after B. Thompson, 2022](https://artlogic-res.cloudinary.com/w_1600,h_1600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/capitainpetzel/images/view/f6f576d44fdcd5a60d89bfd82edf9f14j/capitainpetzel-austin-martin-white-last-bacchanal-pity-party-after-b.-thompson-2022.jpg)
Austin Martin White
(last)Bacchanal(pity party) after B. Thompson, 2022
3m reflective fabric, rubber, pigment, graphite, vinyl, spray paint and screen mesh
243.8 x 289.5 cm
96 x 114 inches
96 x 114 inches
B-AMWHITE-.22-0039
Further images
“I have been making a series of paintings about partying at the end of history. A primary source for the images has been Native American war dances, as well as...
“I have been making a series of paintings about partying at the end of history. A primary source for the images has been Native American war dances, as well as images of ’90s raving — I chose these sources because they are both depictions of dance at the end of a historical era.”
— Austin Martin White
— Austin Martin White
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