Mikołaj Sobczak
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Biography
Born 1989 in Poznań, Poland
Lives and works in Düsseldorf, Germany
Mikołaj Sobczak works in the fields of video and painting; performative forms of expression are also an essential element of his artistic practice, often collaborating with German artist Nicholas Grafia. Sobczak’s work depicts everyday scenes as well as alternative historical images; in his surreal, collaged pictorial narratives he inserts protagonists from queer and transgender activism and countercultural emancipatory movements.
Sobczak studied at the Academy of Fine Arts in Warsaw in Miroslaw Balka‘s Studio for Spatial Activities, was a scholarship holder at the Berlin University of the Arts, and graduated as a Masters student in 2019 at the Kunstakademie Münster. In 2024 Mikołaj Sobczak held an institutional solo exhibition at Jester - Flanders Arts Institute, Genk, Belgium. The artist will have a solo exhibition at Salzburger Kunstverein, Austria in 2025. Recent exhibitions also include Ludwig Forum, Aachen (2023); Kunsthalle Münster (2022-2023); Haus der Kulturen der Welt, Berlin (2021); MUDAM, Luxembourg (2021) and Museum of Modern Art, Warsaw (2020). Works by Sobczak and Nicholas Grafia were purchased by the Stiftung Junge Kunst of the Friends of the Kunstsammlung Nordrhein-Westfalen as part of the 2019 graduate exhibition of the Kunstakademie Düsseldorf.
Sobczak’s works are held in the collections of Los Angeles County Museum of Art (LACMA); Moderna Museet, Stockholm; Kunstsammlung Nordrhein-Westfalen, Düsseldorf; Ludwig Forum, Aachen; The Perimeter, London; Museum of Modern Art, Warsaw and The National Museum, Gdańsk, among others.
In 2021, Sobczak was awarded Poland‘s most prestigious art prize, the Paszport Polityk. He was an artist-in-residence at the Rijksakadmie van beeldende kunsten in Amsterdam (2021-2023) and from September 2023 until February 2024 Sobczak was participating in the biannual residency program with Art Explora - Cité internationale des arts in Paris.
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In times of political radicalization, Sobczak's art invites us to engage with the construction of history.
– Merle Radtke, Kunsthalle Münster
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WorksOpen a larger version of the following image in a popup:
Eduard Daege, Die Erfindung der Malerei, 1832. Alte Nationalgalerie, Berlin
Open a larger version of the following image in a popup:Eduard Daege, Die Erfindung der Malerei, 1832 (detail)
Open a larger version of the following image in a popup:Eduard Daege, Die Erfindung der Malerei, 1832 (detail)
Mikołaj Sobczak
The Origin of Painting (Sylvin Rubinstein and Faun), 2023Oil on canvasSigned, dated and titled verso204 x 159 cm
80.3 x 62.6 inchesB-MSOBCZAK-.23-0042Further images
Mikołaj Sobczak’s triptych, consisting of the paintings Dress From A Flag, Dolores and Imperio and The Origin of Painting (Sylvin Rubinstein and Faun) draws inspiration from the life and character...Mikołaj Sobczak’s triptych, consisting of the paintings Dress From A Flag, Dolores and Imperio and The Origin of Painting (Sylvin Rubinstein and Faun) draws inspiration from the life and character of Sylvin Rubinstein — a Polish ballet dancer, cross-dresser, and member of the resistance movement against Nazism during The Second World War.
In Sobczak’s dense and intensely stylized compositions, one can discern Rubinstein’s likeness in various stages of his life — from his time as a performer alongside his sister Maria in the two-person flamenco act Imperio and Dolores to his later years as an aging recluse, recounting curious and tragic memories of his youth to a few interested historians. The paintings can be seen as an illustration of Rubinstein’s inner world, and an attempt to reconstruct and resurrect his persona by filling the canvases with elements that defined him. Rubinstein’s Jewish heritage is acknowledged in Dolores and Imperio by incorporating an image of him wearing a kippah. The flowing red garment in Dress From A Flag pays tribute to the performative nature of cross-dressing as a fundamental form of his self-expression. In The Origin of Painting (Sylvin Rubinstein and Faun), Rubinstein appears to be canonized and contextualized as part of Western art history.Exhibitions
Mikołaj Sobczak, Le Boudoir de l'Amour, Capitain Petzel, Berlin, 2024
"Mikolaj Sobczak. Le Boudoir de L'Amour", Capitain Petzel, 2024.1of 30NewsExhibitionsExternal ExhibitionsPress