Mikołaj Sobczak
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Biography
Born 1989 in Poznań, Poland
Lives and works in Düsseldorf, Germany
Mikołaj Sobczak works in the fields of video and painting; performative forms of expression are also an essential element of his artistic practice, often collaborating with German artist Nicholas Grafia. Sobczak’s work depicts everyday scenes as well as alternative historical images; in his surreal, collaged pictorial narratives he inserts protagonists from queer and transgender activism and countercultural emancipatory movements.
Sobczak studied at the Academy of Fine Arts in Warsaw in Miroslaw Balka‘s Studio for Spatial Activities, was a scholarship holder at the Berlin University of the Arts, and graduated as a Masters student in 2019 at the Kunstakademie Münster. In 2024 Mikołaj Sobczak held an institutional solo exhibition at Jester - Flanders Arts Institute, Genk, Belgium. The artist will have a solo exhibition at Salzburger Kunstverein, Austria in 2025. Recent exhibitions also include Ludwig Forum, Aachen (2023); Kunsthalle Münster (2022-2023); Haus der Kulturen der Welt, Berlin (2021); MUDAM, Luxembourg (2021) and Museum of Modern Art, Warsaw (2020). Works by Sobczak and Nicholas Grafia were purchased by the Stiftung Junge Kunst of the Friends of the Kunstsammlung Nordrhein-Westfalen as part of the 2019 graduate exhibition of the Kunstakademie Düsseldorf.
Sobczak’s works are held in the collections of Los Angeles County Museum of Art (LACMA); Moderna Museet, Stockholm; Kunstsammlung Nordrhein-Westfalen, Düsseldorf; Ludwig Forum, Aachen; The Perimeter, London; Museum of Modern Art, Warsaw and The National Museum, Gdańsk, among others.
In 2021, Sobczak was awarded Poland‘s most prestigious art prize, the Paszport Polityk. He was an artist-in-residence at the Rijksakadmie van beeldende kunsten in Amsterdam (2021-2023) and from September 2023 until February 2024 Sobczak was participating in the biannual residency program with Art Explora - Cité internationale des arts in Paris.
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In times of political radicalization, Sobczak's art invites us to engage with the construction of history.
– Merle Radtke, Kunsthalle Münster
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Works
Mikołaj Sobczak
Meeting Ancestors While Being On PrEP, 2023Oil, collage on wood and glassSigned, dated and titled verso87.5 x 22.5 cm
34.5 x 8.9 inches
Collection The Perimeter, LondonB-MSOBCZAK-.24-0010Painted on the door of an antique clock found on the streets of Paris, the work refers to an illustration for Adam Mickiewicz's Romantic poem 'Dziady', the plot of which revolves...Painted on the door of an antique clock found on the streets of Paris, the work refers to an illustration for Adam Mickiewicz's Romantic poem 'Dziady', the plot of which revolves around an ancient Slavic ritual feast that takes place on the last day of October to commemorate the dead and summon ancestors from the eternal realm. The scene depicted, Sobczak’s interpretation of the poem, portrays the spirit of an ancestor entering a house. Also visible is the artist’s self-portrait behind glass, representing a state of entrapment within the material world as a passive observer of the spiritual world.
Pieces of packaging from the HIV prevention medication known as PrEP have also been applied to the wooden door, along with an actual pill. The work is heavily inspired by conversations with Dale Harding, an Australian artist descended from the Bidjara, Ghungalu, and Garingbal peoples, with whom Sobczak spent time at the Cité des Arts residency in Paris. The two artists discussed their experiences with taking PrEP, their ancestry, and the history of HIV/AIDS activism, sharing a sense of gratitude.
In the lower part of the composition is the image of a character that Polish film historian Joanna Ostrowska had been researching and sent to Sobczak. The character, a woman named Agnieszka, had started appearing in the artist's dreams.NewsExhibitionsExternal ExhibitionsPress